1. “Keep It Coming” – Topher Mohr. It’s hard to write a timeless pop song, but Mohr has put together a wonder of a tune that feels like it could have come out of the ’70s AM Radio scene or the mid-’00s MGMT-esque pop stuff. It’s just a great track all around.
2. “Ice Fishing” – The Cairo Gang. The sort of guitar-rock tune that splits the difference between classic rock, Beatles pop, and San Fran garage rock with ease. Between God? and Burger (and its many offshoots) Records, it feels like we’re in a genuine moment for hooky garage rock.
3. “Sugar Coated” – Jessie Jones. It sounds like everyone, from the bassist to the drummer to the vocalist, is having fun on this hooky garage-rock track.
4. “Timepiece” – Ripple Green. Classic rock guitar and vocals meet a radio-ready modern pop chorus, putting a foot in each world.
5. “Dusty Springfield” – The Fontaines. A little bit of indie-rock, a little bit of ’50s girl-pop, a whole lot of catchy.
6. “Long Way Down” – Vienna Ditto. Minor-key surf-punk? Why not? Vienna Ditto own it, complete with whirring organ, honking saxes, and frantic tom rolls.
7. “Big Bright World” – Jeremy Pinnell. This is about as authentic as country gets: western swing rhythms, weeping pedal still, deep-voiced sadness, and a narrator with a former(?) drug problem. Still, the sun shines through, just like the title suggests.
8. “The Night Before” – No Dry County. You don’t have to sound like Bob Wills to catch my ear with a country tune; this modern country tune has a great melody, a solid arrangement, and an evocative vocal performance. It’s like a country Jimmy Eat World, maybe.
9. “Soaring” -WindfallFound. Post-rock of the beauty-inclined variety, complete with distant, processed vocals, Appleseed Cast-style.
10. “She Knows It” – Shannen Nicole. Goes from “ooh” to “whoa” in no time flat: starts off as a dusky torch song, then amps up to a thunderous torcher by the end. A formidable performance.
11. “The Gold Standard” – Marrow. The Hold Steady’s wry, jubilant mantra “Gonna walk around and drink some more” drops the jubilant part here: this low-slung, slow-build indie-rock tune has a woozy calm that belies the sort of difficult, composed walking that comes of one too many drinks.
Bits and Bobs: Misc.
1. “We Are on the Hill” – Montoya. A fist-pumping indie-dance-rock anthem, complete with anthemic slogan to yell (which makes no sense out of context). I love the piano in this track.
2. “My Fortune” – Sameblod. I tried writing about this sunshiny dance-pop track, but it ended up with this anyway: Ah, what do I know. Just turn it up in your car.
3. “Ran Ran Run” – Pavo Pavo. Half languid, swirly San Fran indie-pop, half unassuming four-on-the-floor Mates of State-style indie-dance thumper. It works surprisingly well for the diversity.
4. “Por Cima” – Flavia Coelho. I don’t know, man, sometimes I just need some Brazilian bossa nova/rap funkiness in my life. I also enjoy not being able to understand the words or the subtitles on this track. Sometimes it’s nice to just sit back and not worry about it.
5. “We Will Be Palm” – Panda Kid. If you’re into Burger Records’ lo-fi, upbeat rock, you’ll love Panda Kid’s fuzzed-out, reverb-heavy, surf-influenced pop-rock.
6. “Nervous Breakthrough” – Bloodplums. Neuroses! Anti-authoritarianism! Politics! Religion! Big guitars! Snarling vocals! Does it get more pop-punk than this? Come and get it.
7. “High” – Puzzlecuts. Here’s some fun Post-Pavement slacker rock that combines relaxed melodies, laid-back arrangements and noisy guitars. It rambles and shambles along, cheerfully rocking.
8. “Golden Rat” – Cusses. I dare you to listen to that open guitar riff and not be totally sucked into this stomping rock song. That’s not even including the frantic, wild vocals of their female lead singer. Dynamite in a bottle. (Band is not to be confused with CURXES or Swearin’ despite (one definition of) their name–but man wouldn’t that make a great trio tour?)
9. “Eyes Lie” – Sebastian Brkic. I don’t know what to call minor-key rock that isn’t aggressive. Brkic’s new tune isn’t chill, but it’s also not aggro–it lives somewhere between cerebral and dreamy, somewhere between marching and swaying.
10. “No Justice” – Astronauts, Etc. I’ve been getting real into white-boy slow jamz recently, and this track has everything I’m looking for: a sensuous vibe created by mellow keys, smooth falsetto, unobtrusive percussion, and lithe bass. It’s not funky or aggressive, but it’s got movement and energy. It’s a tough balance to strike, but this track nails it.
11. “Good Will Rise” – Amber Edgar. This earnest acoustic tune knocked me back on my heels. The strings and trumpet in this tune don’t make the sound more expansive–they somehow make it more intimate. This is a powerful statement, musically and lyrically.
12. “Slow I Go” – Paul Doffing. This gentle, warm, optimistic fingerpicked acoustic tune calls up the kindest moments of James Taylor, which is high praise from over here.