Independent Clauses | n. —unusual words about underappreciated music

MP3s: Acoustic, pt. 2

September 24, 2015

Acoustic, pt. 2

1. “Say You Won’t Forget” – Lindsey Saunders. Here’s a smoky, sultry, classy-nightclub acoustic ballad that very nearly makes the lights dim of its own accord.

2. “Got You Well” – Gabrielle Papillon. Tense, ominous folk led by Papillon’s alto, thumping percussion, and occasional blasts of distorted guitar.

3. “Iris Lullaby” – Kara Kesselring & Sugarcreek Road. Who can resist a sweet, kind country lullaby?

4. “Love Everyone” – Virginia Sook. Delicate, staccato, homespun folk with an emphasis on the gentle vocals.

5. “Fade Into You” – Brett Borovic. This Mazzy Star cover includes wintry accompanying images, which fits with the stark folk reimagining of the tune.

6. “The Rope” – Bitter’s Kiss. The ability to create drama through a vocal performance without getting bombastic is a rare skill that Chloe Baker possesses.

7. “Reckless With Your Memories” – My Dead Air. A light, airy West Coast vibe permeates this quiet indie-pop tune.

Brett Borovic’s Western indie rock delivers diverse instrumentation

April 9, 2015

brett-borovic-album-cover-square-600x600

Brett Borovic’s The Fearless and the Faint highlights the great talent of Brett Borovic in a myriad of ways. Each song has a unique flavor to it via the many different instrument pairings throughout the album; whether it’s harmonica, violin, guitar, bass, or drums, you can find them all and more on this album. (It is simply amazing that the only instrument not performed by Brett Borovic himself is Nathan Tulenson’s violin.) Borovic’s voice is also a very powerful instrument. His often-soulful voice adds a certain sensuality to his music, especially when paired with instruments like the piano and electric guitar (“Day Becomes Night”).

Many instruments come together to make the very unique sound, self-described as “Existential Western Indie Rock.” Picture this: the song begins with a piercing violin intro, then introduces a gentle drum beat after a couple measures, followed by a spaghetti western guitar riff. I just described opener “A Truth I Never Thought I’d Find.” Overall, the album effortlessly combines classical elements, such as the violin and piano, with a modernized spaghetti western sound achieved mostly through the bass and guitar.

Although the album is often a fiery affair, a highlight off the album is actually one of the softer songs, “All I Thought I Wanted.” Borovic softens his powerful voice a bit to fit with the sweet lyrics and gentle strumming of the guitar that simply demands that you sway. The last song “So Blue” is also notably softer and more melodic in its instrumentation.

The dark and fiery moments of The Fearless and the Faint come together with its playful Spaghetti Western influences and occasional softer moments to make a truly unique sound. The Fearless and the Faint is out now-Krisann Janowitz

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

Recent Posts

Categories

Independent Clauses Monthly E-mail

Get updates and information about IC, plus opportunities for bands.
Band name? PR company? Business?
* = required field

powered by MailChimp!

Archives