Independent Clauses | n. —unusual words about underappreciated music

Hopes and Dreams dashed on the rocks

April 14, 2009

In a world full of Fall Out Boys, emo bands and imitators, the first several measures of Faster Faster’s Hopes and Dreams show that this band has done next to nothing to change that world.

Faster Faster brings nothing new or interesting to the table of bubble gum pop rock. This is everything you would expect – high-toned vocals that try to sound happy when the lyrics are about immature teenage love with song titles that try too hard to be clever. If you’ve ever listened to Fall Out Boy, Panic! At The Disco, Armor For Sleep or any of the other number of bands with similar sounds, you know what to expect.

The musicianship at work is good. The group is obviously more than capable of playing their instruments well. Randall Dowling and Christian Mosely are both obviously adept guitarists, able to fill the gaps between vocals with compelling hooks. The bass and drums tend to take a backseat, the bass more so than the drums. Vocalist Kyle Davis is a mixed bag. He obviously has a strong set of pipes, but his style ends up sounding like an odd fusion of Panic! At The Disco’s Brendon Urie and Thursday’s Geoff Rickly and it doesn’t come off well. It just sounds derivative.

The main problem with Hopes and Dreams is that it just doesn’t seem to show any originality. It’s not that these guys are necessarily a bad group of musicians, it’s just that they’re sticking too much to their influences. Faster Faster simply comes off sounding like a good cover band than a band in its own right, which is simply unfortunate.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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