Independent Clauses | n. —unusual words about underappreciated music

32 Songs I Loved in 2015 (In no particular order)

January 1, 2016

Here’s a non-comprehensive, unordered list of 32 tunes that I just really loved in 2015. They approximately go from fast and loud to quiet. Happy 2016, y’all.

Let’s Go Jump Into the Fire” – Devin James Fry and the Namesayers
Glass Heart” – Magic Giant
Seven Hells” – Quiet Company
Shiny Destination” – The Rutabega
The Fringe” – Sego
In the Woods” – Bobby’s Oar
Run with Me” – Heather LaRose
Don’t Go Quietly” – Light Music
Marina and I”  – The Gorgeous Chans
Bad Blood” – Fred Thomas
Golden Coast” – Billy Shaddox
Flare Gun” – In Tall Buildings
All This Wandering Around” – Ivan and Alyosha
See You Soon” – Valley Shine
Through the Night and Back Again” – Michael Malarkey
By the Canal” – Elephant Micah
Everglow” – Jared Foldy
Father’s Day” – Butch Walker
Muscle Memory” – Laura and Greg
Odell” – Lowland Hum
Waking Up Again” – Emily Hearn
Pilot Light” – The Local Strangers
Death Came Knocking” – B. Snipes
Hold On” – We are the West
Money in the Evenings” – Hermit’s Victory
California Song” – Patrick James
Winter is for Kierkegaard” – Tyler Lyle
Paperback Books” – The Pollies
Closet” – John Vournakis
Ein Berliner” – Jacob Metcalf
Spring” – Sam Burchfield
Vacation” – Florist

Quick Hit: Bobby’s Oar

July 8, 2015

weedsinyourgarden

Greg Hughes’ Among Giants songwriting vehicle took him from a folk-punk solo act to a full-distortion punk outfit pretty rapidly. Since Among Giants now doesn’t function as a folk-punk outfit, he took things back to his roots with a new album and a new name. The diverse acoustic-based songwriting of Weeds In Your Garden by Bobby’s Oar will satisfy folk-punk purists and adventurous folk fans.

The standout cut here is opener “In the Woods,” which marries a rapid-fire folk-punk strumming pattern to a meandering vocal line that’s heavy on pathos and melody. Hughes grows the song from that intimate opening to a blown-out full-band chorus that includes horns and a shout-it-out punk choir. I couldn’t avoid humming the “whoah-oh” line for days. Hughes’ lyrics have always been deeply introspective without getting cloying, and he fits a fresh set of similar concerns to the work here: The mid-tempo folk explosion of “I Find Comfort” details the difficulties of moving cross-country; the back-porch picking of “That’s Just Like, Your Opinion, Man” is a exposition of optimistic existentialism (which has philosophical forebears that don’t include Camus). At the other end of the spectrum, Hughes screams his voice ragged on the aggressive crumbling-relationship tableau “Heart.”

Thoughful lyrics, heart-on-sleeve narratives, sonic rage, and melodic charm are the recombinant building blocks of Weeds in Your Garden–“It’s a Vice” is a lovely acoustic indie-pop song that Hughes screams over most of. If you’re into Andrew Jackson Jihad, Attica! Attica!, or Nana Grizol, you’ll love Bobby’s Oar.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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