Independent Clauses | n. —unusual words about underappreciated music

Best of the rest!

December 27, 2013

Independent Clauses is but one man right now, and I can’t get to everything. Here are some really quick hits on stuff I like but haven’t had a chance to cover in detail.

Shine Your LightGap Dream. Burger Records loves garage-rock, but Gap Dream goes against the grain for some psych-influenced pop-rock. The tunes here are smooth, powered by shimmering, pulsing synths and trilling, chiming guitars. These are really fun tunes that take some of the irony out of indie-rock’s version of pop-rock. Perfect driving music, excellent chilling-out music.

Light on the LakeSignals Midwest / BanquetsBanquets. I didn’t listen to a lot of punk rock this year for a bunch of silly reasons. These two bands, whom I dearly love, bore the brunt of my sabbatical. Both are really talented bands that deserve the attention of those who love muscly punk rock that doesn’t get too abrasive and keeps an artsy streak.

Spooky ActionThe Fierce and the Dead. If a punk band and a post-rock band were in a head-on collision, the resulting fusion would sound as frantic and expansive as this album. If you’re into post-rock but think it can get way too navel-gazing sometimes, you should hear the pounding riffs and rhythms this English band throws down.

UnravelDebbie Neigher. Neigher is an alto singer/songwriter with a mature approach to songwriting, along the lines of Regina Spektor, Imogen Heap, and Feist. She relies heavily on keys–but not necessarily piano–which creates a nice vibe to her work.

Save Your HeartLights & Motion. If you like your post-rock in major keys, with huge crescendoes, and with jubilant conclusions, Lights & Motion is far and away the best at that. This is beautiful stuff that intends to make you sigh with wonder. You know who you are.

Multiple Releases – Qualia. Dan Leader put out six releases in 2013 under his post-rock moniker. Similar to Lights & Motion, but with a pinch more nuance and minor key action, this is still incredibly beautiful work. If you’re into it, there’s a ton of it to be into, so jump on that.

Falling in WavesBlack Birds. These Australians marry guitar crunch and heavy reverb for a post-shoegaze throwdown. If you’re into rock riffs without a blatantly self-indulgent rock’n’roll attitude, check it out.

Top Fifty Songs of the Year Mixtape

December 27, 2011

I’ve rarely been on-the-ball enough to get my year end lists done by December 31, but this year I made a concerted effort to have all my 2011 reviewing done early. As a result, I was able to put together not just a top 20 albums list, but a top 50 songs mixtape and a top 11 songs list. Here’s the mixtape, organized generally from fast’n’loud to slow’quiet. Hear all of the songs at their links, with one exception of a purchase link (#27). The other lists will come over the next few days.

1. “Nights Like This” – Icona Pop
2. “Bass, Not an 8-track” – Oh Look Out
3. “I Don’t Want to Go To Sleep Either” – FM Belfast
4. “Now That I’m Real (How Does It Feel?)” – Chad Valley
5. “Ten-Twenty-Ten” – Generationals
6. “Sticks & Stones” – Jonsi
7. “Norgaard” – The Vaccines
8. “Just Me and My Canseco Rookie Card” – Banquets
9. “Axiomatic” – Bottle Up and Explode
10. “Yeah (Crass Version)” – LCD Soundsystem (Live at Madison Square Garden)
11. “Good in Green” – Saturday Sirens
12. “A Dream of Water” – Colin Stetson
13. “No Reservation” – Del Bel
14. “Box-Type Love” – Run Dan Run
15. “What Once Ran Wild” – Wild Domestic
16. “Movement” – Dam Mantle
17. “Saw You First” – Givers
18. “Glass Deers” – Braids
19. “Cassette 2012” – Delay Trees
20. “James Franco” – Hoodie Allen
21. “Black and White” – Generationals
22. “Kam” – Oh Look Out
23. “Prowl Great Cain” – The Mountain Goats
24. “Hobo Chili” – Attica! Attica!
25. “Montauk Monster” – Laura Stevenson and the Cans
26. “Down to the River” – Cameron Blake
27. “We Will Never Have Tonight Again” – Sandra McCracken
28. “Turbulence” – Of God and Science
29. “Nothing But Love Can Stay” – Afterlife Parade
30. “Stones” – The Collection
31. “The Region of the Summer Stars” – Come On Pilgrim!
32. “Fever” – The Collection
33. “The Healthy One” – Laura Stevenson and the Cans
34. “Some Boys” – Death Cab for Cutie
35. “Girls Girls Girls” – John Lepine
36. “At the Grindcore Show” – Common Grackle
37. “Simple Girl” – Dale Earnhardt Jr. Jr.
38. “Dear Annabeth” – The Duke of Norfolk
39. “Kitchen Tile” – Typhoon
40. “Women in the Kitchen” – The Fox and the Bird
41. “Song for You” – Jenny and Tyler
42. “Find You” – Brianna Gaither
43. “Someone Like You” – Adele
44. “Through Your Eyes” – Jenny and Tyler
45. “No Silver” – Chris Bathgate
46. “Shoeboxes” – David Ramirez
47. “Unwed Fathers” – Carrie Rodriguez and Ben Kyle
48. “I Wish You Didn’t Feel Like My Home” – Matt the Electrician
49. “In Parts” – Run Dan Run
50. “Putting the Dog to Sleep” – The Antlers

Quick hits: Banquets — Top Button, Bottom Shelf

September 22, 2011

I like to write long reviews, ’cause I like reading long reviews. I want to contribute to the “long reviews” file of the world. However, BanquetsTop Button, Bottom Shelf resists that approach, and not just because this punk album consists of ten songs in an airtight 25 minutes.

Nope, the reason this review is short because there are a small number of elements in Banquets’ sound that set it apart immediately from other pop-punk.

1. There are few obvious verse/chorus/verse structures, meaning that this whole thing feels like one hooky stream of consciousness.

2. The vocalist is stellar, bringing the perfect mix of vocal acrobatics, muscle and melody to the music.

3. The guitarists turned down the treble knobs on their amps, creating a bass-heavy, immediately accessible sound. Similarly, the treble on the cymbals is (thankfully, thankfully, thankfully) cranked down.

4. The band hits it and quits it, never dragging out anything that could be made into too much of a good thing. Always leave ’em wanting more.

The best place to start is “Unforgiven V,” which is unsurprisingly the shortest song here except for the intro tune. A dual vocal approach and a sense of high drama that isn’t pushed into melodrama create the song of a summer I want to have. Mega.

So yes. Get yourself some Top Button, Bottom Shelf if you like pop-punk at all. It’s not your average “super-loud-pop-songs-yaallllllll” — it’s so, so much better.

Stephen Carradini and friends write reviews of instrumental music. We write about those trying to make the next step in their careers and established artists.

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