Independent Clauses | n. —unusual words about underappreciated music

Auburn BOTB, pt 2

September 15, 2011

Part two of my BOTB coverage begins with Maven, whose modern pop sound was a big hit with the ladies (and some crazy dancing dudes, one of whom jumped up on stage). They did an impressive cover of Lady Gaga’s “Bad Romance,” then launched into an epic-length original. The bassist knew what was up; he was going to town on that thing.

Ska band Blame Sydney took the stage next, and they absolutely rocked it. Their many members were energetic and mobile, their tunes were fun and ready to dance to, and their fun-loving vibe was infectious. I loved every second of it.

The rock/blues act Sweet Jimmy Carter and the Outlaws commanded the audience’s attention for the final act. The band was tight with each other, as they rolled off stomping blues licks both traditional and original. Their visual presence was impressive (see below), and their swagger was undeniable. They were a blast to hear and see.

The winners? 3. Bottle Up and Explode 2. Sweet Jimmy Carter and the Outlaws 1. Blame Sydney. Maven took the fan favorite vote.

Auburn Battle of the Bands, set 1

September 14, 2011

I love discovering a battle of the bands. As an underappreciated music blogger, I find a lot of great music simply because I’ll go and listen. Sometimes there are terrible bands surrounding the diamonds, but Auburn UPC’s recent battle had a stacked line-up that provided a wildly entertaining evening. Their excellent choice of emcee in Brandon Crocker also helped create a splendid evening (no lame jokes! yes! yes! yes!). All six bands were worth noting, so I’m splitting coverage of Friday’s event into two days.

Just Marked played some modern acoustic pop, heavy on the falsetto. The band played together well, both on originals and on “Ain’t No Mountain High Enough.” I’m not the biggest fan of cajon, but the performance was solid.

Bottle Up and Explode, who I fell in love with a couple weeks ago at Eighth and Rail, were a pleasant surprise in the second slot. They brought their Bishop Allen/Strokes-ian indie-rock/indie-pop to the stage with energy. (The lead guitarist got especially into it.) It’s just really, really fun to watch Bottle Up play — you get to sing along, shimmy a bit and smile tons.

The earthy, rooted sound of Gypsies With Knives graced my ears next. With powerful, clear vocals and great instrumental interplay, the band creates a neat mix between jam-band, southern and shanty rock.

Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.

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