Independent Clauses | n. —unusual words about underappreciated music

Girls Only May Singles

May 9, 2016

1. “Delightful” – Katie Garibaldi.  A delightfully honest reflection on how to live life in this crazy world.This sweet-sounding song beautifully combines acoustic guitar strumming with Garibaldi’s unique voice.

2. “Alaska” – Tina Refsnes. This thoughtful folk tune starts off with minimalist guitar instrumentation and slowly expands to include a rather full orchestral accompaniment. “Alaska” is a lovely track that provides just the right amount of cheer for a rainy day.

3. “No Last Call”– Emily Rodgers. A contemplative, melancholic folk tune with alt-country influence coming out in her use of pedal steel. The long length of the track gives off a feeling like it may just be an endless beauty. When it comes to a close, you are left wanting to return to its peaceful arms.

4. “Little by Little”– Niamh Crowther. Crowther’s soaring sopranic voice pairs well with her playful instrumentation. Similar to the likes of Regina Spektor, Crowther hits, holds, and transitions through very high notes; it’s rather awe-inspiring.

5. “Miami”– Kara Ali. Soulful, jovial, and refreshing, the funky instrumentation of “Miami” makes me want to groove. Ali’s voice is this interesting combination of Mariah Carey and Joss Stone. This is a great ode to a fun American city.

6. “Cormorant”– Dana Falconberry and Medicine Bow. I love this song; it feels very Birdy meets Fleet Foxes with some Dirty Projectors thrown in. Heavy on the banjo and bass, this track combines unique instrumentation with quizzical lyrics and a powerful voice. Fun all around.

7. “Oliver”– Brooke Bentham. This simple, lovely singer-songwriter track will steal your heart with its raw vocals and compelling lyrics. I can truly feel the warmth emanating from this song.

8. “Tonight”– Ashley Shadow. This is a great example of how Ashley Shadow makes music that builds and climaxes magically, akin to The War on Drugs. And Shadow’s coy alto female voice correlates well with the male background vocals entering at the chorus.

9. “Next To You”– Dannika. Sit back, relax and chill out to this track. Dannika’s unassuming vocals paired with the guitar provide a perfect example of casual feminine rock.

10. “Late to the Party”– Heavy Heart. Another chill rock song, this female-fronted rock band makes great rock music. The crisp electric guitar steals the show from the start, but the layered strings certainly deserve an honorable mention.

11. “Midnight Blue”– Candace. Although the vocals are great, the instrumentation shines on this track. It makes me want to take a drive, roll down the windows, and let the wind mess up my hair as I listen to this song.

12. “Cementville”– Annabelle Chairlegs. This song radiates fun. The vocals are very reminiscent of the female from the B-52s, with raucous screaming to boot. I’m especially in love with the boldness of this song; feels very third wave feminism.

13. “Lies”– ¿Qué Pasa? With quaking electric guitar, sultry vocals and punchy lyrics, “Lies” oozes sex appeal. The multitude of false endings leaves you thinking it’s over and then the seduction starts up again. It somehow feels like something that Quentin Tarantino could have used in a Kill Bill Vol. 1 fight scene.–Krisann Janowitz

Double Bonus March MP3s!

March 24, 2016

  1. Rosebush”– Goldlight. I love it when a song starts off deceptively simple and progressively builds towards its climax. I enjoy the artist’s unique voice, but the driving beat and knockout instrumentation steal the show here. Listening to this track makes me want to blast it in my car, roll the windows down and drive fast– not many tracks stir that up within me. 
  2. Tired”– Ashley Shadow. The layered instrumentation and unassuming vocals pair beautifully. The strong driving beat also makes this track another potential car-song, but maybe I’d drive a little slower. 
  3. Cave”– Katie Zaccardi. This dark and brooding track combines Zaccardi’s strong voice with hard-punching lyrics that tell a poignant story about the tug and pull of toxic relationships. The guitar up-stroke even makes an appearance! 
  4. White Noise”– Swells. I am feeling the groovy vibes of this tune. Soulful female vocals get me every time. 
  5. The Wolf”– ALLA. This string-heavy song oozes with eerie. The repetitive lyrics and rhythms make it seem simple, but the string-plucking alone exposes the track’s complexity. 
  6. Help Yourself”– Bryde. Bryde’s powerful, Vanessa Carlton-like voice continues to entrance me. The hard-hitting lyrics and full-bodied instrumentation keep me coming back. 
  7. Bedbugs”– Amaroun. Amaroun’s unique alt-folk sound is akin to brilliant artists like Bjork and Jesca Hoop. You won’t want to miss taking a ride with Amaroun and her “Bedbugs”. 
  8. Love Dust feat. Mercy”– Christopher Pellnat. I am absolutely captivated by this juxtaposition of seductive Lana Del Rey-like vocals and circus-esque instrumentation. It feels uncannily like a 19th century cabaret, with an accordion to boot! 
  9. Speak”– Expert Timing. The sweet female and unadorned male vocals contrast great with the heavy electric guitar and drum kit instrumentation. This is one punk rock track to rock out to. 
  10. The Lost Ones (featuring Leah Hayes)”– The Gifted. Fun, playful, even includes whistling–everything you want an indie-pop song to be. There’s something about the vibrant sound and catchy lyrics that make me feel that this track could be an anthem for a generation. 
  11. What Became of Laura R?”– Heavy Heart. Summoning their inner MGMT, this track begins and ends with a slew of screaming kids. As the song progresses, Heavy Heart’s rock and roll vibes liken to that of the Silversun Pickups– breezy, laid-back rock and roll. –Krisann Janowitz
Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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