Reina Del Cid has a rare melodic gift. Her 10-song release with The Cidizens is titled blueprints, plans, and each song features one absolutely stunning vocal melody after another. She could have made any song on the whole album the single, and they all would have been just as effective at showing off that Reina Del Cid can write unforgettable tunes. Her pop-folk/bluegrass-lite makes great use of traditional sounds, rhythms and instruments to float her brilliant vocal melodies, from the condescending “Pretty Lie” to the forlorn “Expiration Date” to the striking “Brutal Love.” All of these tunes are mixtape-worthy, which is incredibly unusual. If you’re into anything from Jason Mraz to Nickel Creek to Ani Difranco, you’ll find something to love in Reina Del Cid and the Cidizens. And if you like all of them, then you’re in for a treat.
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David Ullman lets you know exactly what you’re going to get immediately. Ullman opens Light the Dark with a single sharp acoustic guitar strum and a howl of, “This is my cry in the dark!” As the rest of “Who You Say” unfolds, it becomes very clear that Ullman comes from the Damien Rice school of singer/songwriters, where hearing the tension and struggle in the vocals is a large part of the charm. Light also features instrumentation similar to Rice’s, with acoustic guitar, piano, strings and vocals taking up the lion’s share of the work. Ullman’s voice is grittier than Rice’s, making some of the tunes here positively punishing on his vocal chords. The lyrics deal with struggle and tension in religious themes, so there’s fertile ground for crescendo and catharsis. If you’re into gritty, powerful singer/songwriter fare, Light the Dark will be right up your alley.
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The strength of hunters.’ white lies is the interplay between easygoing alt-country vibes and the impressively descriptive lyrics. From describing a picturesque summer evening in standout “Ft. Lee, VA” to chronicling the life and times of the titular character in “Ambulance Chaser,” vocalist Rosa Del Duca nails the lyrics. She has strong control over her voice as well, lending these tunes a knowing, confident air. White Lies is fun to listen to on all levels, as hummable melodies, interesting arrangements, and memorable lyrics abound. This seven-song release is very worth your time.
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I associate Damien Jurado with fragile, delicate folk, so it’s no surprise that my favorite tunes on Maraqopa are the quietest. “Working Titles” pairs a gentle ukulele strum with swooning backup vocals and very high steel drum notes (no foolin’) to create a swaying, beautiful tune. “Museum of Flight” depends on Jurado’s falsetto to sell the dreamy tune, and it works out perfectly. The rest of the album is a bit noisier, moving almost over into the dream-pop/indie-pop realm instead of the singer/songwriter genre that he established himself in. It’s definitely a unique sound that new fans may enjoy and embrace. It’s a tough sell for this old-school fan, though.
