Independent Clauses | n. —unusual words about underappreciated music

EPs of the year!

December 22, 2016

Here are Independent Clauses’ EPs of the year! The lead link takes you to a place where you can hear/purchase the EP. The quote is from our review, and the last link sends you to the full IC review. Enjoy!

7. Sunset Park – A Valley Son. “Between the distinctive, versatile vocals and the enthusiastic alt-country/roots rock instrumentation, AVS has a lot of pieces that can translate easily onto bigger and brighter stages.” (full review)

6. salt’n’long distance – Foxall. “The sort of acoustic EP that just about everyone wants to write: effortlessly catchy songs with clear, relatable lyrics that are just specific enough to be unique.” (full review)

5. Where We Started – Reddening West. “The warm, full folk tunes that Reddening West puts together … have gravitas to spare while still maintaining strong melodicism and soothing arrangements.” (full review)

4. S/t – Roan Yellowthorn. “Her confident alto has a unique personality and sonic profile that is the rarest of things to hear in a (chamber pop) singer. Once you’ve heard her once, you’ll know her again–and that’s rare.” (full review)

3. S/t – The Jonah Project. “Packs more emotional punch into 16 minutes than most emo albums can get into a 40 minute full-length.” (full review)

2. Cattle Ranching in the Americas, vol. 1 – Ovando. ” Nate Hegyi’s vocals seem like they tumble gracefully out of his throat, while the female harmonies are similarly unadorned. Those voices carry a song of woe about the American West (are there any other type?), floating over lithe, smooth guitar fingerpicking.” (full review)

1. Cold Blood – Josiah and the Bonnevilles. “It’s a stake in the ground that establishes the outfit as one to watch: a specific vision expertly handled within the goalposts of a genre framework that people are already familiar with. … Call it alt-country, alt-folk, whatever; you’ll know what it is when you hear it. … Cold Blood EP is a remarkable first effort that shows off unique arranging skills, intriguing vocals, and strong overall songs.” (full review)

Premiere: A Valley Son’s “Lights in the Sky”

June 10, 2016

Folk-rock, alt-country, and indie-rock fuse in A Valley Son’s “Lights in the Sky”: it’s got call-and-response vocals, crunchy guitar twang, and a breakdown instrumental outro. The song is such a tight marriage of the three genres that it’s not entirely productive to discuss it more than to get you interested.

Trey Powell’s baritone vocals lead the tune, giving way occasionally to bright, crunchy electric guitar work between sections. The band is really tight: the arrangement feels comfortable and assured, giving the vocals just the right amount of space without blending amorphously into the background. (And check out that rad instrumental outro, too.) The backup vocalists play a big part in the atmosphere of the song, coming in consistently as support at the end of verse lines and throughout the chorus. Their efforts contribute to the warm, collective feel of the tune.

“Lights in the Sky” is a top-shelf tune that should help put the band in the conversation with much more established bands. It’s more alt-country than The Low Anthem, but not so much as the Old ’97s; I immediately thought of the major-key alt-country of Denver’s 4H Royalty as a comparable sound. Dawes and Ivan & Alyosha also would fit as peers. If you’re into noisier folk-inspired work, this track will be right up your alley.

This song is the first single off A Valley Son’s debut release Sunset Park, which will drop late July/early August. If you’re going to be in the Northeast, you can check the band out on these dates:

June 11th, The Fire (Philly Single Release) – Philadelphia, PA
June 18th, The Waystation, Brooklyn, NY
June 24th, DROM (NYC Single Release), NY, NY
July 8th, Hometown, Brooklyn, NY
August 13th, Union Hall, Brooklyn, NY

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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