1. “Sync” – Cloud Castle Lake. If Sigur Ros ate a marching band and a prog rock outfit, they still probably couldn’t make this genre-exploding post-rock track. This is some of the most eclectic, beautiful songwriting I’ve heard in a long time.
2. “L.A.M.P.” – A.M. Stations. If you’re on the train that post-rock doesn’t have enough of punk’s energy, then this pounding instrumental track will leave you clapping.
3. “Blood Mirage” – Crown Larks. If you’re concerned that post-rock isn’t weird enough, then Crown Larks’ fractured, wild, sprawling tunes will comfort you. This is one of those bands where you feel bad for all the instruments involved because of the intense, atypical sounds being wrung out of the poor pieces of metal, wire, wood and cork.
4. “Steady Waves” – Cross Record. Pensive and dark, gentle and harsh, like Bowerbirds on an electro bender (even though it feels like these may be all organic instruments manipulated in unusual ways).
5. “Open Season” – Youth Model. Muse would be proud of the move to layer a 1950s PSA about the atomic bomb over the intro to this dark, theatrical rock song about paranoia. Actually, Muse would be proud of pretty much everything in this song.
6. “Coshh” – The Vryll Society. Here’s a highway song for a cosmic, religious, post-consciousness realm.
7. “Take My Hand” – Palmas. And if you go surfing in that cosmic, religious, post-consciousness realm, you can flip on this perfect soundtrack.
8. “Golden Lion” – The Besnard Lakes. ’70s rock’n’roll updated to sound tight and modern, but with just enough guitar haziness to be a little reality-fuzzing.
9. “One Block Bar” – Rett Smith. Here’s some electric blues that don’t sound like The Black Keys. The gritty, urgent noise here is much more earthy and raw than the stadium-rockin’ Keys.
10. “Bruises” – Bells and Hunters. Do you need a stomping, riff-heavy rock track in your life? Of course you do, especially if it has great female vocals on top of all that.