Independent Clauses | n. —unusual words about underappreciated music

SXSW Friday: Ben Caplan / Dusted / Lissie

March 19, 2013

After a morning of writing, I had no concrete plans. Thankfully, I have some standby venues that I hit when I’m at SXSW: Canada House and Ireland House. I’ve had good luck with both in my three years at SXSW, so I seek them out now. This particular morning, I headed to Friends Bar to catch some Canadian acts.

The great thing about Canada’s presence at SXSW is that they take great care to make their venue welcoming. I got a free well drink ticket and food just for walking in the door, and every member of Team Canada was enthusiastic about my presence in their venue. You can see good music in a lot of places at SXSW; you can’t get great hospitality much of anywhere. Viva la Canadians.

I walked in just as singer/songwriter Ben Caplan went on, and I was charmed by his energetic, quirky tunes. Caplan has a flair for sweeping, wordless melodies (which often sound vaguely Russian, oddly) to accent his insightful lyrics. His low voice can grow to a giant, booming call, which is always fun to hear. Also fun was his stage banter, which was genuinely hilarious. At one point Caplan noted, “I know you are all music industry professionals, but you were once people who liked to clap along and participate.” I subsequently clapped. If you’re a fan of dramatic, entertaining singer/songwriters, Caplan should be on your team.

One of my favorite Canadian songwriters is John K. Samson, whether he’s solo or with The Weakerthans. His power-pop hits the sweet spot between clever and winsome, both in music and lyric. I was pleased to hear that Dusted, although a bit darker in their moods, captured a similar vibe. After humorously noting that they would be shortening their set by cutting all the guitar solos from their songs to help out the venue on time constraints, the duo launched into a tight set of power-pop.

The tunes relied heavily on the interactions between the guitar, vocals and drums; the rhythms and melodies don’t stand alone in Dusted tunes. The whole thing works together to create the vibe. I totally didn’t know this until right now, but Brian Borcherdt of Holy Fuck is actually in the band. I can assure you, nothing even remotely gives an electronica vibe: this is a straight-up power-pop band. Dusted’s set was one of my favorite from the festival: instead of being ostentatious or dramatic, it simply got down to business and delivered the goods. Excellent stuff.

I left Friends to go join some friends over at Paste/HGTV’s stage, where Lissie was about to go on. Her pop-rock material was solid, with some interesting new songs. The highlight was her cover of Kid Cudi’s “The Pursuit of Happiness,” which was transformed from a drunken rumination on debauchery into a howling treatise on happiness and its often difficult pursuit. It’s always impressive to me when a band reveals a new side of a song simply by putting their own voice to it, so I loved hearing Lissie’s take on the tune.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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