Independent Clauses | n. —unusual words about underappreciated music

SVALL, pt 2

October 10, 2014

Trebuchet’s “The End” is a magnificent song: a synthesis of everything we’ve learned from The Lumineers, Mumford and Sons, and The Head and the Heart. Instead of being derivative, it feels like they’ve finally unlocked the pattern. The video is fun too.

The Wild Reeds’ “Blind and Brave” is a love letter to Los Angeles in song and video. Their female-fronted folk sound starts in pristine First Aid Kit mode, but swells to a lovely, full conclusion.

Brian Lopez’s “Persephone” video is the sort where I started watching and forgot that the song was playing. It’s a visually interesting piece that tells a good story, and also is accompanied by some great folky music.

Matthew Fowler walks down a city street, strumming and singing. He happens to come across his trumpet player. Great things ensue. His calm, composed songwriting makes me think of Damien Rice’s quietest moments or Rocky Votolato.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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