Independent Clauses | n. —unusual words about underappreciated music

Singles: Summer Music and More

April 21, 2018

1. “On the Run” – The Big Sky. A compelling mix of Asian vibes, glitchy beats, distorted synths, and sleepy vocals, this more-than-7-minute slice of indie-rock (?) is highly unusual in the best of ways.

2. “Point of Personal Privilege” – Weller. It’s not that I stopped liking punk rock, it’s that my bar for punk rock got so high that it became an incredibly hard thing to pass. Weller passes, partially because a good chunk of the song is composed of a calm, deftly-handled intricate guitar line, perfectly atypical drums, relaxed vocals, and angelic background vocals. When the full band comes charging in, it feels like a powerful payoff instead of an inevitability. If you love Transatlanticism but want the crunchy parts crunchier, jump on the bandwagon.

3. “Strange Year” – Team Picture. Big synth melodies atop an indie rock chassis create a punchy, soaring cut. Can’t say enough about the way the synths just take over this song but also manage to not turn this into an ’80s revival piece.

4. “3 AM Lullaby” – Hotel Mira. If you like listening to the Fratellis or Tokyo Police Club or the Strokes before bed, this chipper, weird indie-pop-rock tune will put you right to sleep. (In the good way.) For the rest of us wind down with mellow piano music or whatever, this is a great jam full of enthusiasm and falsetto that will fit excellently in your summer party playlist.

5. “100 Years or More” – Violet Delancey. I know this sounds fairly incredible, but if you add Shakira, Enya, and Celtic Folk together, you’d end up with this track. I know! It sounds crazy! But it’s really good!

6. “Pull Through” – Remember Sports. I’m not sure what this video is trying to say (are your band members just terrible people? Is this video in reverse? Is this about the psycho-dynamics of inter-band relationships? Is this … I could go on.), but the song is a great piece of pop music. The kitschy percussion and insistent acoustic guitar strumming provide a neat backdrop for cooing, ooo-ing indie-pop melodies. The rest of the arrangement is perfectly done to create some tidy-yet-slacker-sounding work. It’s the sort of thing where I hear it and say, “Yeah, that’s what it’s supposed to sound like, right there.”

7. “Paying Off the Happiness” – illuminati hotties. If you love bright, shiny, singable, self-deprecating power-pop, this song will be your jam. The vocal performance here is spot-on, balancing perky enthusiasm and droll self-concern.

8. “XO” – The Elation. A fun pop-rock tune with speedy vocal delivery, head-bobbing rhythms, and a great dance-oriented music video.

8. “Outside Saskatoon” –  Espanola. What do we call Americana that comes from Canada? Anyway, this is a great Americana-infused rock song (that organ!) that reminds me of Glossary and The Weakerthans. “Hey! Come on!” is the way that the guitar solo kicks off, which you know is right. Just great stuff.

10. “Buzz Off” – Little Junior. A big, stomping power-pop tune that manages to sound enthusiastic and “totally over it” at the same time. Fans of old-school Weezer will have a lot of fun with this one, especially the tongue-in-cheek ’80s-style guitar solo.

11. “Who Will I Be For You” – Pale Houses. Speaking of the ’80s, this tune brings ’80s ballad vibes to bear on contemporary singer/songwriter work and creates a neat hybrid form out of the two. Aaron Robinson’s somewhat-anguished vocal performance is spot-on, nailing the vocal leaps and the pathos perfectly. Fans of ’80s pop will find themselves transported back to an earlier time, but this is no vintage copycat job–Robinson and crew do a great job of melding styles to find their own sound.

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Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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