1. “Superficial Feeling” – Written Years. This song covers all the bases, stealing bits of electro-indie-pop, big-moment indie-rock and M83-style indie-dance. The song also does pretty much everything right: The arrangement is a slow-burner that heats up to maximum, the vocals are right-on, and the overall effect is perfect.
2. “Future Me Hates Me” – The Beths. I love the deliciously-fuzzy guitar tone and the impressively strong vocals in this power-pop/pop-punk tune. The ascending main guitar riff is also ace.
3. “Number 5 Radio” – Fairburn Royals. In the fine tradition of breaking the fourth wall, this stellar tune is a power-pop song about how to write a power-pop song (in five simple rules). The song itself follows its own rules, and the resulting song is indeed really excellent. Highly recommended.
4. “She Calls” – Tenderfoot. I’m a sucker for a good whoa-oh-oh vocal line, and this tune has a great one. The rest of the song is a catchy, upbeat pop-rock song that’s a lot of fun.
5. “Spoil With The Rest” – Ryley Walker. Transforms from a purveyor of pastoral folk to an explosive indie-rocker with folky leanings–it’s like when The Dodos transformed themselves from frenetic mathy duo to a more dense outfit. Walker’s voice is still relaxed and relaxing, but his electric guitar does the talking here.
6. “Necessaries” – Many Voices Speak. The band here uses reverb to turn the song into an intimate experience instead of to create space; there’s lots of wobbly sounds, bouncing notes, and the like, but it all sounds like a blanket wrapped around me instead of a giant cloud. The loose, unstressed vocals create even more of that warm feel, giving this low-key dream-pop song a magnetic aura.
7. “Blue Love” – JOYNER. Sometimes a chorus pops up and just washes over me with such unavoidable confidence that it compels me to write about the song. The rest of the tune is a thoroughly fine low-key electro-influenced indie-pop tune, but that chorus is just perfect.
8. “Undone” – Greta Isaac. Chipper, friendly, and enthusiastic are all things I look for in a great indie-pop tune. This tune nails it: the arrangement is perky everywhere, the melodies are easily accessible, and there are tons of enthusiastic choral vocals in the chorus. The light electro-pop/glitchy touches make it even more exciting. Here’s one for your summer lists.
9. “Baby” – Basement Revolver. I’m not much into rock songs with heavily distorted guitars these days, but Basement Revolver infuses their songs with so much pathos and desire that it’s hard to not empathize with vocalist Chrisy Hurn. Hurn can belt with the best of them, but her quiet voice is equally as controlled and equally as devastating. The band’s ability to match Hurn’s urgency without turning into a punk rock outfit is further impressive. Just an absolutely bang-up job on this indie-rock tune. Fans of Silversun Pickups will love this.
10. “ABOP” – tunng. Have some low-slung electro-pop from this veteran outfit. There’s an X factor here that comes of having a lot of years in the game–a lot of people can make electro-pop with acoustic leanings, but not many can make it stick.
11. “Favourite Song” – Pizzagirl. The caption on this video says “For best results listen in 1987 at night,” which is spot-on self-awareness. The big synths, the gated snares, the vocal tone, the vocal melodies, it’s all pitch-perfect late ’80s synth-pop. I’m particularly fond of the vocal melodies.
12. “Never There (for bassooning and Crooning)” – Some Professional Help. This almost exactly what it says on the tin: it is a spoken-word-and-bassoon version of CAKE’s “Never There.” As a fan of CAKE and weird conceptual ideas (and how much more a weird conceptual idea involving CAKE), this is hilariously great. Some Professional Help is also a folk-punk-ish band, but this one is literally just Scott Alexander spoofing the spoofers who are CAKE. Please avail yourself of this song.