1. “Growing Up” – Moon Hooch. I am a big fan of sci-fi in addition to being a big indie music fan, and so I was thoroughly interested in the high-concept animated video that Moon Hooch put together for their latest single. It’s got a lot of concepts that I love: the possibility of time repeating itself, unusual alien/fantasy beings (or humans dressed as them), magic/superpowers, and more. Totally rad. The song itself is classic Moon Hooch: two saxophones dueling it out over dance-rock-oriented drums. The melodies are clever, thoughtful, and fun. It’s hard for me to listen to Moon Hooch without getting totally amped up, because these guys are distilled adrenaline.
2. “Dubai” – Royal. This slice of instrumental hip-hop employs distant spoken and sung vocals to great effect, helping set the mood effectively. The manipulation of the synths and the inclusion of the beats is also ace, as I find myself head-bobbing without thinking about it. Solid.
3. “Sharalee” – Jamison Isaak. Being a huge Teen Daze fan and a person-with-strongly-growing-interest-in-neoclassical-work, I am totally thrilled that Jamison did me a favor and combined the two. This Teen Daze side project takes all of the slowly unfolding melodies and carefully-curated atmosphere that makes his chillwave so great and applies it to classical work. The method is piano, pedal steel guitar, and pad synth–sounds very weird, but it makes perfect sonic sense when you hear it. (As you might expect, from someone who has a ton of experience with melody, arrangement and mood.) It’s pensive, winsome, and elegant. Highly recommended.
4. “Airlocks” – Floating in Space. Rarely does a band name so well describe the experience of listening to a band. Floating in Space creates major-key, wide-screen post-rock that’s reminiscent of Sigur Ros’ work in its sweep and in the vocalist’s tone. The lack of percussion and the glittering pad synths in this piece creates the truly floating feel.
5. “Disenchantment for Truth” – Sleeping Horses. Anyone tracking IC over a long period of time has seen more and more ambient work creep in around the edges of our coverage. I’ve been really enjoying the peacefulness of much ambient work, as well as the generally extended scale on which the sounds can develop. This is a perfect example of the type of thing I’ve been digging: Sleeping Horses creates a slowly-developing piece out of manipulated guitar sound, deliberate fluttering strings and lots of space. The small changes to the arrangement build up over the course of the piece to create a beautiful, emotive landscape.