Independent Clauses | n. —unusual words about underappreciated music

Singles: Acoustic/alt-pop

May 24, 2018

1. “In the Fields” – Simon D. James. Here’s a lush, sweeping tune that paints a whole landscape. The piano occasionally sounds like an arpeggiator (awesome), the violin swoops all over the place, and the drums hold everything together. It’s bright and folky, but also dense like Decemberists song. It is a great blend of tons of influences into a distinct whole. Highly recommended.

2. “I Won’t Sit Around and Cry” – Jon Patrick Walker. Solid fingerpicking, speedy vocal delivery (not quite Jeffrey Lewis, but similar), some country vibes in the guitar solo, and an indie-pop grin throughout the whole thing. If you’re a fan of folk/indie-pop, this is basically the instantiation of what that combo sounds like. Highly recommended.

3. “The Long Game” – Jonathan Rice. Like Death Cab for Cutie’s “I Will Follow You Into the Dark,” this is an excellent pop ballad unencumbered by flashy arrangements or innovative turns. Instead, there’s an endearing lyrical set, a compelling vocal performance, unforgettable melodies, and a sense of pure songwriting craft. This is a great song written by an expert hand. Highly recommended.

4. “Hank” – Declan O’Donovan. There’s a bit of honky-tonk, a lot of Creedence, and a lot of confidence in this Southerny, folky tune. Special shout-out to the piano player, who really makes this song what it is.

5. “Time Runs Out For Narcissus” – Thomas & The Empty Orchestra. A jaunty, wholesome-sounding folk tune with swift fingerpicking, witty lyrics, and a lovely accordion. If you’re into Justin Townes Earle, Langhorne Slim, or Common Man, you’ll love this.

6. “What I Came Here For” – Luca Fogale. The delicate ease of Joshua Radin rests on this tune, what with the sprightly fingerpicking, the distant piano and the achingly beautiful melodies. The lovely layered vocal arrangements are icing on the fantastic cake. Highly recommended.

7. “Slow It Down” – Sarah Clanton. There’s a hint of Sixpence None the Richer in this dense, acoustic-focused singer-songwriter/pop song, from Clanton’s easygoing vocals to the overall taut-but-smooth atmosphere.

8. “Bare” – Rosie Carney. This one’s a quiet guitar-and-piano rumination anchored by a striking vocal performance from Carney.

9. “I Won’t Move” – Natalie Carolan. A delicate, yearning, searching piece that builds from hear-the-piano-pedals quietude to a smooth, compelling alt-pop piece.

10. “Dark Places” – Maria Kelly. Simple, quiet, and emotionally devastating, this acoustic tune is a delicate, carefully written explanation of how depression feels and acts. Kelly’s voice is alternately fragile and sturdy, underscoring the tensions in the song.

11. “Let Somebody Inside” – David Hopkins. The opening piano/synth arrangement may be a little too heavy on piano ballad conventions for some, but the vocal performance here is gripping and the chorus is just fantastic. The horn arrangement that comes in halfway through caps the song. It’s a great pop song.

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Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.

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