1. “Turtle Doves” – Jenny Elisabeth & the Gunned Down Horses. A. What a band name. B. Like light spreading across a horizon, this tune grows from spiky yet warm tendrils of sound to a full, round alt-country performance. The bassist and JE’s creaky voice get special honors.
2. “Refugee” – Cameron James Henderson. Some artists command a gravitas–a combination of confidence, vocal control, melodic maturity, and (let’s be honest) Dylan influences–that catapults their folk tunes into the upper echelon. This tune very firmly belongs up there with the Joe Pugs, Josh Ritters, and Barr Brotherses of the world.
3. “Louisiana” – Eric & Happie. This is more country than the Civil Wars, but still very pop-oriented. It would be like if folk-pop had a country-pop counterpart, but this has almost nothing in common with Florida Georgia Line, so that’s out. The male/female harmonies are lovely, the arrangement is small but full, the production is bright and tight, and the whole thing comes off like a sunbeam out of a cloudy day. It’s just great.
4. “The Space Between” – Aaron James. Here’s some folk-pop with strong vocal harmonies and lots of subtle production touches that push it just far enough outside of the box to really catch the ear, while still fitting in with all the folk-pop standard-bearers.
5. “Don’t Leave My Side” – McKenzie Lockhart. I’m really into immediate production: it sounds like Lockhart is sitting right next to me, playing and singing her folk-pop/singer-songwriter blend. The drums and electric guitar add a lot of character and atmosphere to this tune, which is often not the case in this type of music–mad props to the band. The results are an unusually gripping singer-songwriter track.
6. “No Gauge” – Ariah&. Ariah’s low alto voice contrasts nicely against a chipper mandolin and blaring trumpet. She can belt like Amanda Palmer, too.
7. “Beans” – Little Hermit. If you threw the ukulele charm of Ingrid Michaelson, the quirky lyrics of Kimya Dawson, and an impressive female duet into a blender, you probably still couldn’t come out with something as attractive, elegant, and intriguing as this.
8. “Songbird (Feat. Nathaniel Rateliff)” – Joe Sampson. Far from Rateliff’s rowdy soul, Sampson and his guest close harmonize over a hushed, melancholic guitar.
9. “Yesterday’s News” – Esbie Fonte. Starts off as a torchy tune with some jumbled noise for atmosphere, then blooms into something more electronic and complex than that.
10. “Cold Moon” – Lacei. Vocal-driven folk + wubby spacious bass + skittering beats = (either) the folkiest electro track I’ve heard all year or the most electronic folk track of the same period.
11. “Pluto’s Waltz” – Barrow_. This instrumental inventively combines solo neo-classical/jazz piano with snare-heavy electronic kit drums and the occasional synth for effect. It’s a fresh, impressive vision.