Occasionally musicians meet in life, finding a common thread which begs to be explored deeper. Such is the case with talented songwriters and troubadours Charles Ellsworth and Matt C. White, whose solo talents have listeners ready to embrace their recent collaborative quartet of songs on the EP Rose Door via Burro Borracho Records.
The two skilled songwriters have come together on this collaborative release to create simple acoustic magic. Ellsworth and White, from the back countries of Northeastern Arizona and North Carolina respectively, found each other in New York City. Their combined folk rock energy is the foundation of this rustic indie folk-rock. It’s rough around the edges in all the ways that listeners love. Ellsworth and White are prolific songwriters and perform in various projects, but something really special happens when their two guitars come together in such an artful and honest way. Adding their talents are Chris Heinrich on the pedal steel guitar and Meg Webb on fiddle; the ears of Bob Hoag of Flying Blanket Studios helped define each note in the sonic landscape.
The EP opens with “Rose Door,” whose beauty is pure and simple; compositionally complex, this song begs for a warm place to call home beyond just the listeners who embrace instrumental music. Rustic and real, there is no hiding, nor any need for lyrical clutter. An authentic invitation, this is all listeners need to walk through the door. When I spoke with Ellsworth recently in Brooklyn, he commented on how the cut remained an instrumental: his friend Matt said it spoke, and it really did not really need lyrics. Quite true.
Sliding into White’s “Morning Glory Fool,” there is a shift in tone, a definite folk energy that brings to mind his debut release Wallow in the Hollow. This is music that demands attention: a deep vocal resonance surrounded by a rich instrumentation, earthy and real in the fiddle performance.
“Blossom in the Sun” from Ellsworth offers a contrast–or maybe it’s just a glimmer into the other side of both of these artists? The song has a rock vibe, held back with a tension that feels real like warmth from a sun we only hear about. This is songwriting that gives listeners the scent of flowers on a warm summer day, swaying in a mountain storm as the thunder rolls in.
Closing out the quartet is the bookend of “Foxglove in A Major” as the wraparound acoustic guitar instrumental. The authentic sound of fingers picking strings brings it back to the final downbeat. A classical guitar vibe creates a progressively elegant closing to an EP which defies being stuffed into a genre box. The whole of the EP sings eloquently in a voice which goes further than any single track could. Listeners can hear and feel the connection by opening up the Rose Door by Charles Ellsworth and Matt C. White. — Lisa Whealy