Independent Clauses exists to cover things that don’t get much coverage, and kindie rock doesn’t get much play in the circles I run in. But it certainly is worth the effort, because modern kids’ music is a far cry from Raffi and Harry Chapin (as much as I love Tom Chapin). I put Justin Roberts’ music on mixtapes for people and no one ever guesses it’s a kid song. So here’s two kindie rock albums that have crossed my path recently.
The Not-Its! are a power-pop band that probably sound less like a kid’s band than The Apples in Stereo sometimes did (Remember this song?!). They also come off as more of an indie band than some indie bands, dressed out in White Stripes-ian pink/black/white. Kidquake! is primarily female-fronted, although some songs (“Let’s Skateboard”) are fronted by a guy who’s voice is actually not that far off from Robert Schneider’s. “Let’s Skateboard” is one of the best tracks on the album, fitting both the term “no comply” and some infectious indie-punk-pop melodies into a sub-2:00 package. Legit. Also legit: the punk-ska attack of “Busy.” Less legit: the kid monologue opening the Blink 182-esque “Temper Tantrum.” But on the whole, this is a solidly enjoyable piece of power-pop that can be enjoyed on its own merits–not just as “kid’s music that doesn’t suck!”
Cat Doorman sounds even more comfortable in the “grown up” world, as Songbook is a gorgeous chamber-folk album. This is made possible because songwriter Julianna Bright is a music veteran and Chris Funk of the Decemberists is on board. The balance between fanciful arrangements and tactful restraint is navigated easily, as a honking bass saxophone and a grumbling electric guitar are treated with equal care and taste (“Effervescing Elephant” and “So Many Words,” respectively). Bright’s vocal melodies sell the album perfectly, as they don’t pander to kids in that annoying way that kids’ albums can do. These are real songs, and they happen to have lyrics kids can sing along with. Given the current indie penchant for whimsy, and it’s not that hard to imagine these songs being sung by the next big thing. “Turn Around” is especially poignant and beautiful; when’s the last time you said that about a kid’s song? Yeah. Songbook is impressive by any standard.