Fans of lo-fi slowcore like Songs:Ohia, Elephant Micah, and old-school Damien Jurado will have something new to cheer about in Tender Mercy. As Someone Else You Embrace the Moment in Us consists of five songs that never get louder than a single fingerpicked guitar, Mark Kramer’s forlorn voice, and tape hiss. The songs are slow, low, and heavy on atmosphere: discerning between the songs is possible (there are breaks in the tape hiss to mark song changes), but it’s not really the best way to enjoy this set of tunes. Instead, it’s best to let it wash over you; there’s enough gentle reverb on the tracks to imagine that you and Kramer are in a big room where he’s singing just to you. If you move too quickly, you’ll miss the tranquil beauty in it.
This is music to experience, not to sing along to or play in the background of your life; the nuances of the individual performances make the tunes what they are. Individual voice warbles, the pluck of one string harder than the last, and the subtle changes in timing that suggest emotions behind the work are all compelling. The songs seem very simple on the surface, but there is depth to be plumbed here. Some variation could be incorporated in future work to help differentiate between tracks, but this release is still great for fans who enjoy more difficult music (i.e. old-school Mountain Goats, Jandek, Silver Jews, et al.).
Australia is my favorite international music scene. The latest thing to fall in my lap from The Land Down Under is the buzzy, friendly power-pop of Major Leagues‘ Weird Season EP. The Aussie quartet plays chipper, female-fronted tunes that strike a nice balance between energetic and chill; you can listen to these tunes while driving, surfing, or while laying around in your backyard. Each activity would bring out a different nuance: the driving rhythm section, the sweet guitar tone, or the laconic vocal delivery. Weird Season is a fun way to remind yourself that it may be winter, but summer’s coming. Actually, it’s summer in Australia. Ponder that.
Aaron Lee Tasjan employs a songwriting style on the Crooked River Burning EP that mirrors with Joe Pug’s newer work: a folk troubadour working with a full band. Both singer/songwriters bring their own unique confidence and internal rhythm to the work, which makes resulting songs an interesting mix of personal and group efforts. The balance works best on “Everything I Have is Broken” and “Junk Food and Drugs,” which give enough space to Tasjan’s voice and guitar that his personality shines through. Both have intricate lyrics, quirky vocal rhythms, and an overall sense of energetic possibility. They would be a blast to sing along with live, certainly. “Number One” is a hushed ballad in Jackson Browne style that surprised me with its depth of emotion and tasteful inclusion of strings; it shows off the best of his solo work. Tasjan has strong songwriting chops, and I look forward to seeing what he puts out after the Crooked River Burning EP. Photo by BP Fallon.