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Quick Hit: Wolfcryer

October 7, 2015

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It’s a tricky thing to go electric: ever since Dylan pretty much mastered the art, all artists who attempt it since are necessarily living in his shadow. I’ve been a big champion of Wolfcryer‘s acoustic work, so it’s with great interest that I listened to his “Go Out and See the World” / “St. Anthony” single.

The release offers a slice of his melancholy, baritone-led troubadour work backed with a rollicking folk-rock tune that gives a taste of what a louder, electric Wolfcryer would sound like. The latter starts off with a frenetic acoustic strum, then barrels on as bass, electric guitar and drums crash in. Matt Baumann’s vocals are higher and faster to fit the rock backdrop, and they sound great in that range. A wailing harmonica and a crunchy-yet-melodic guitar solo cap off the sound in great fashion. It seems like an extension of Wolfcryer’s sound instead of a total re-invention: the sound is strong, tight, and crisp without forsaking the grit and earnestness of Baumann’s A-side (and previous work). “Go Out and See the World” is the quieter of the two offerings, a tune laden with empty-room-reverb and carrying all the gravitas that Baumann’s voice can convey. It’s a beautiful tune.

It’s no small feat to keep the emotional weight and the songwriting depth that Baumann brought to his solo work while changing milieus. If Wolfcryer is able to consistently pull off that trick, one that he nailed in “St. Anthony,” then things are looking bright indeed. It never hurts to be great at loud songs and soft ones.

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Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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