Tim de Vil and His Imaginary Friends‘ Beating Off the Loneliness is an indie pop album with vocals that skew toward the speak/sing of Say Anything or MeWithoutYou. The arrangements are deeply layered, compiled from acoustic and electronic instruments: some songs pile up found sounds and synths and drums and all sorts of stuff into a wistful, rueful amalgam that yet retains energy (“Purge-atory,” “The Patron Saint of Lost Causes”). Songs like “Who’s Afraid of Sarah Little” and “It’s Not Me, It’s You” are indie-folk ramblers instead of collages. These latter songs have occasional vocal melodies (“Say It…”), but the gold moments appear when lead singer Justin Robbins expertly controls the mood and tone of his spoken word–he can pack a lot of emotional power into individual lines.
Lyrically, this one is very much a breakup album, but it’s more in the mold of Spiritualized’s punchy Ladies and Gentlemen, We Are Floating in Space and Josh Ritter’s “everything that happened after the breakup” lyrical approach to The Beast in Its Tracks than a mopefest. (Not that I don’t love a good mopefest.) As is often the case with speak/sing work, the lyrics are dense and carefully constructed, despite sounding off-the-cuff; there are pop culture references (“Sleepy Hollow,” for example), emotional monologues, and word games to be had (like the title of “Hail, Mary”). The sum of all these parts is a fully-realized statement of an album that clearly shows Tim De Vil’s songwriting and lyrical skills. Fans of collage artists, spoken word ramblers, or experimental indie-pop will find much to enjoy here.