Independent Clauses | n. —unusual words about underappreciated music

Quick Hit: The Pinkerton Raid

September 17, 2014

thepinkertonraid

Is Fleetwood Mac cool? U2 is uncool, and Led Zeppelin seems permanently cool (which is funny, because they were decidedly uncool radio rock in their heyday), but Fleetwood Mac is harder to pin down. Jesse DeConto, lead singer/songwriter of The Pinkerton Raid, thinks Fleetwood Mac is very cool (or at least very influential), as A Beautiful World draws on that swirling, vocals-heavy rock sound for its songwriting.

The title track/opener sets up their basic sound: reverb-laden guitars, dramatic vocals that burst into polyvocal harmonies, tom-heavy drums, dreamy keys, and an evening vibe. It’s not dark, but it’s not sunshine and clouds; perhaps it’s a stroll at dusk through a thick forest. It’s tough to capture the idea of expansiveness and intimacy at the same time, but the marriage of the wide-open arrangement and the tight harmonies gives off a very particular vibe. It’s a great track to name the album after and open the album with; it sets up what The Pinkerton Raid is about and lets you know what you’re going to get more of.

Other highlights include the staccato rhythms and thick guitars of “Just a Boy,” and the ominous, turbulent “Giving Tree.” The latter is a rumination on the beloved Shel Silverstein tale; I’ve always been encouraged by the little tale of sacrifice, but The Pinkerton Raid interpret it way differently. They throw one of their most mood-intensive, engaging arrangements at it, including evocative female lead vocals and strong instrumental performances all around. It’s pretty heavy emotionally, but it’s also a highlight of the record. If you’re into swirling indie rock that mines heavy situations for musical and lyrical inspiration, A Beautiful World will please you.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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