Independent Clauses | n. —unusual words about underappreciated music

Quick Hit: Parasite Child

April 21, 2016

parasitechild

Swedish artist Andreas Stellan has released his first album as Parasite Child. The self-titled album echoes UK synth-pop mixed with a moody rock flavor. Heavy on the keyboard and synthesizer, Parasite Child gives off an air of ‘80s pop music, yet with a darker edge. With crisp vocals and brooding instrumentation, Parasite Child veers off the Kesha pop train and gives us something different.

Andreas Stellan’s voice is very clear, making it easy to hear the lyrics. Many of the tracks (“Crazy,” “Ocean,” “Memories,” “Guadeloop,” “Interview,” “Give In”) include a cluster of slightly muddied female background vocals that contrast smashingly with Stellans’ voice. Parasite Child uses the sopranic female vocals to add another layer to their tracks. In “Guadeloop,” the female vocals don’t enter until two thirds of the way through the song. The track already had organ-like synth sounds and Stellan wooing a lover with desire-fueled lyrics, so the addition of the female vocals works as a call and response that plays out beautifully.

The playful instrumentation of Parasite Child echoes ‘80s synth pop music, similar to Stars. Parasite Child utilizes keys and synthesizer to anchor many of their songs. Layers of electric guitar and strong bass lines add heaviness to the tracks. Take “Secrets,” for example: the track begins with a funky keyboard beat and lyrics that drip of longing. At the chorus, the electric guitar, drums and synthesizer explode the song to a brooding, cinematic level.

Parasite Child’s self-titled debut is is a dynamic album that would be a great score for an indie film. Here a few songs to whet your appetite. —Krisann Janowitz

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Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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