Final Days Society‘s post-rock expands its palette from the “melodic/quiet to tube-screaming towers of sound” model on Icebreaker. While tunes like “At Peace, At Last” and the title track still bathe in that immortal fountain, they experiment with other sounds and textures here. “Drifter” leans heavily on a giant-sounding horn line for its cathartic end, while “Overburdened Companions” opens with accordion-esque keys. The diversity creates space for interesting diversions from the standard post-rock templates.
The inclusion of feathery vocals links the band to Sigur Ros–and as soon as I made that synaptic leap, I heard the Icelandic band’s influence in a lot of places, from sparkly quiet sections (“Drowner”) to hollowed-out columns of sound (“Debris”). As a result, Icebreaker feels more organic than one might expect, while still delivering giant crescendoes. If you’re into high-drama post-rock, check it out.