Quinn Erwin first came to my attention as a big part of Afterlife Parade, a top-shelf outfit equally comfortable making can’t-ignore-it pop-rock and textured post-rock. Erwin’s Soul EP builds on the pop-rock side of Afterlife Parade, getting crunchier and catchier simultaneously.
The titular track of Soul kicks off the four-song effort with hammering piano, crunchy guitar, handclaps, and Erwin wordlessly throwing his voice around in some great melodies. There’s a pop-rock chassis to the tune, but from the wheels up it’s all muscly soul attitude and yearning blues vocals. There’s a bit of dance-rock thrown in for spice at the end, but this is primarily an earthy, Southern (but not Southern rock) jam. “Heritage” builds on that earthy pop-rock blend, fusing a stomping backbeat to a scuzzed-out guitar line with some zinging synth on top of it. Erwin’s repeated plea (“Don’t let this be my heritage”) and anguished “la”s give the tune some extra punch (as if it needed any). Both of these tunes have a crunch that wasn’t often there in Afterlife Parade, but don’t sacrifice any of the melodic prowess. If anything, these are even catchier tunes.
“Reality” and “Soul (acoustic)” pull back from the unique vibe of the first two tracks and push the sound in different ways. The straightforward pop-rock of “Reality” does have thrumming bass and insistent snare, but the vibe here is less Southern attitude and more U2-style pop expansion. (You can hear Bono in the wordless, nearly a capella bridge, for sure.)
The acoustic version of “Soul” pulls the excellent arrangements out of the mix and shows that with or without a backing band, “Soul” is a torrential song. Just because there’s only an acoustic guitar accompanying Erwin doesn’t mean he sacrifices any of the attitude or intensity of the tune. The song reveals just how impressive a vocalist Erwin is by putting the focus squarely on his vocal performance.
Soul is one in a series of EPs Erwin is releasing, so we’re going to be treated to more work from him in the near future. And the work is a treat; Erwin’s clear vision for fusing his pop-rock background with other sounds creates distinctive, exciting work. Soul establishes (for some) and continues (for others) the need to carefully follow everything that Erwin is up to.
Soul drops tomorrow, April 29. If you’re in the South, you’ll have some chances to catch him soon on the #OYOUGOTSOUL Spring Tour:
04.29: Biloxi, MS
04.30: Mobile, AL
05.06: Baton Rouge, LA
06.10: Birmingham, AL