The video is a collage of clips culled from 1000 hours of tour video. That herculean effort on the part of filmmaker Annie McCain Engman results in an impressionistic piece that evokes both the speed of moving cars and the warm brightness of Bass’ music. There’s a lot crammed in the video, and it works best as the whole it was intended to be (instead of me trying to explain it too much). If you’re thinking, “Ugh, collage, I hate collage, anyone can collage,” know that I’m with you. This one caught my attention anyway due to the deft handling of the work by Engman. Anyone can collage, but pros can collage better.
The tune that the video accompanies is a chipper tune that splits the difference between indie-pop (those handclaps! the keys riff!) and adult alternative (the smooth arrangement! the soaring vocals!) without being self-consciously part of either genre. Fans of old-school Death Cab for Cutie and fans of Sam Smith will each find things to love in this tune, and the marrying of those disparate groups (or are they disparate? I’d like to believe they aren’t) is a great credit to Bass.
The Greatest Fire releases on January 19 via Jungle Strut Music. (Now there’s an evocative label name.)