Riley’s hometown reminiscences are sung in a dusky alto and set over an arrangement that splits the difference between old-school country and modern singer/songwriter. (With Sturgill Simpson and Chris Stapleton becoming cool, it might be the country that’s the “cool” half these days.)
The drums and bass hold down the frame of the song, while the electric guitar pushes on the bounds of both country and singer/songwriter. It’s ultimately a tune that’s just as accessible and understandable as the lyrical statement it makes. If you’re looking for a smooth, easy tune to help you relax in a hammock on a spring afternoon, here’s one for you.