I pine for LCD Soundsystem so hard that if someone even mentions their name in a RIYL, I will listen to that album. Pikachunes‘ press mentioned the James Murphy Machine, and so I rushed to the self-titled album. This particular tactic sets everyone up for disappointment: the music of Miles McDougall deserves to be analyzed on its own, not as greater or less than LCD.
However, this particular dance vehicle does draw some comparisons in the both arrangement and recording style. The rhythm-heavy, muscly songs are lovingly treated to a warm production sheen that contrasts nicely with the cold vocals: McDougall’s pipes are reminiscent of Joy Division’s Ian Curtis and his followers (pre-stadium rockin’ She Wants Revenge, especially). The vocal melodies unfold most often over a simple beat, rubbery bass and a melody instrument, but McDougall has enough savvy as a songwriter to make sure a pulse runs through these tunes.
In that regard, Pikachunes is at even more of a disadvantage: by showing significant aptitude in the genre, it’s even easier to draw comparisons to James Murphy. Murphy, however, had 15+ years of indie-rock, DJ, and cultural critic experience to draw on before he started putting together the songs that turned indie music on its ear. McDougall is a relative young’un, and that youth is belied in the pacing of the songs.
Almost all of the songs here are self-contained entities. They share a vague mood and sound palette, but there’s no ebbing/flowing energy from song to song in the collection that would compel me to listen in this order or all at once. There’s nothing wrong with this approach (clubs don’t care about yr album, suckaaa, just yr hitz), but it makes the album less of an meaningful unit. His press says it’s kind of a concept album, so he’s going to have to improve on his cohesiveness in the future if he wants to achieve his concept goals.
But is “Metronome” a bodymovin’ dance track? Yes. Is “Nervous” an earworm deluxe? Also yes. Is “Disco Baby” suave as anything? Very, very yes. This stuff is fun to listen to, and that’s something that you can’t take from him.
But LCD Soundsystem raised the bar for indie kids making dance music. You can’t just throw it down anymore; you’ve gotta build great songs within great albums. I know, I know, that’s what we ask of anyone. But when Miles McDougall’s debut is this promising, I want to be that guy who challenges him to greater heights.
Pikachunes is an entertaining album and impressive debut of club-ready indie dance tracks. Here’s to hoping this is the start of something even greater.