Independent Clauses | n. —unusual words about underappreciated music

November MP3 Drop 2: Sing It Smooth

November 11, 2013

Part two!

November MP3 Drop 2: Sing It Smooth

1. “It’s All Over Now” – Blair Crimmins and the Hookers. Vintage-style New Orleans jazz/rag doesn’t get much more fun that this. I mean, spoons!! You know you love this already.
2. “Break Away” – Afterlife Parade. AP’s triumphant indie-rock is sounding more and more like U2 by way of The Killers with every release, and I’m totally down with that. You hit those soaring group vocal lines, and I don’t care who you sound like. Sing it.
3. “Silver Boys” – Holyoak. Do you wish that Grizzly Bear was a little less obtuse? Maybe that Fleet Foxes was a little more direct? Holyoak delivers the goods.
4. “White Noise” – The Hand in the Ocean. Heavy on the folk, lite on the indie; heavy on the warbling vocals, lite on Bon Iver beauty-croon; heavy on the banjo, lite on the kick drum.
5. “Ghostflake” – Owls of the Swamp. This piano-led, indie-folk take is as delicate and gentle as the title would suggest.
6. “Vermona” – Take Berlin. Formal pop songcraft and singer/songwriter fare are coming closer and closer together, as the rambling Bob Dylan impulses of yore are turning more toward Paul Simon’s beautiful structuralism. This track’s guitar and analog synthesizer show off that shift.
7. “Broken Arrows” – Tracy Shedd also shows off her formal songcraft skills, adding in a touch of ’50s pop vocal flair to the precise acoustic strumming and melodicism.
8. “The Kids and the Rain” – Alex Tiuniaev. New classical piano composer Tiuniaev opens his album Blurred with this moody, atmospheric, scene-setting solo keys piece.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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