Independent Clauses | n. —unusual words about underappreciated music

MP3s: Down Down

April 11, 2015

Down Down

Grainy” – Cotton Claw. You know that scene in action movies where the spy is in a club, and then he spots his guy, and then a noir-ish chase scene through a dark, glamourously-lit urban landscape erupts without the music changing all that much? Plug and play.

Rooftops” – Sick of Sarah. Is it a dis to say someone sounds like Paramore these days? If not, the confident vocals and tight dance-rock beats makes this tune sound like an enthusiastic Paramore club remix. If yes, this sounds nothing like that at all.

No Exit” – Nightmare Fortress. Dry industrial beats meet round, warm synths and biting alto female vocals; it’s oddly accessible.

Broken Angels” – Jade the Moon. Other than the wub in the bass, this is a vocals-heavy, female-fronted mid-tempo club banger from the ’90s. (That’s totally great with me.)

Raincoats” – Maribou State. Got me wondering: what’s the politically correct term for Tribal House these days?

Enchanteresse” – Scattered Clouds. Dissonant, disorienting flashes of guitar lightning crash on an ominous plateau of baritone speak/sing vocals and plodding bass. For fans of apocalyptic post-rock.

State of Low” – Cajsa Siik. I know this sort of delicate, feminine indie-electro-pop existed before I heard Frou Frou on the Garden State soundtrack, but I can’t escape thinking about Imogen Heap’s vocals whenever something this light (yet dark, always dusk where they are) appears.

Lost” – Zohara. An unusual fusion of pop chanteuse vocals, dissonant orchestration, and pleasant piano produces an enigmatic, interesting track.

Forest Fires” – Axel Flóvent. If you’re the sort of person who longs for winter as soon as it gets warm, this acoustic- and piano-laden track will give you all the snowy-cabin-folk chills you need to get you through the hard months.

True Colors” – Johanna Warren. Surprisingly technical guitar playing gets matched with calming vocals and very serious arrangements of piano and flute. This results in a tune that is both calming and unsettling.

Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.

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