Last updated on January 6, 2022
It’s not just XKCD that has noticed a lack of popular Christmas songs written and/or recorded after 1980. Shane Vidaurri of The Ashes noticed this as well, and pitched the idea of a Christmas compilation album to his record label, Mint 400 Records. Label owner Neil Sabatino (Fairmont) agreed, and now we have A Very Merry Christmas Compilation to bring cheer in.
The comp is excellent because everyone here turns in a stellar effort. None of the seven bands phone in it or get schmaltzy. These are honest-to-goodness Christmas tunes, worthy of being replayed on radio until no one remembers who the artist is anymore and no one cares. This would especially work because the comp doesn’t stick to one genre, but ranges from The Duke of Norfolk’s folky “Lovely Winter” to Fairmont’s jangly “This Song is Your Christmas Gift” to the ‘50s style rock ‘n ‘roll of The Ones and Nines’ “I’m Gonna Lasso Santa Claus.”
The lattermost is a perfect opening track to the compilation, as it sets a jubilant tone for the album. It’s like “Rockin’ Around the Christmas Tree,” and I love it. Adam N. Copeland apes the Killers’ tradition of putting out a soaring, modern pop tune for the holiday, with a tune that reaches to the same vocal heights as Brandon Flowers’.
There’s some melancholy as well: The Ashes’ “Have Yourself a Merry Little Christmas” can’t even staunch the somber elements of the tune with an almost island-flavored take on the tune. “Sorry I’m Broke” and “This Song Is Your Christmas Gift” are both about the stress of being poor at Christmas.
No compilation would be complete without a hymn or two: The Duke of Norfolk’s “Hark the Herald Angels Sing” brings banjo and beatboxing together for an overall reverent take on the classic. I know, that sounds weird; you’ll just have to check it out.
A Very Merry Christmas Compilation takes Christmas music seriously, and the results are some incredible originals and traditionals. Since it’s varied in genre, you can put it on the stereo and let the wildly varied emotions of the season wash over you. If you sprinkled the tunes into your current list of standards, they wouldn’t stand out at all; they’re that good.
Full disclosure: I worked on The Duke of Norfolk’s tracks as a set of critical ears.