Acoustic and Such
1. “Into Yellow” – Martin Luke Brown. You got up early to see it. You had to hike up a mountain in the dark and you nearly rolled an ankle three times. Is all this worth it? Really? You question things. You wonder things. You start to grumble at the person who set you up with this idea. But you crest the last incline onto the peak and you see it: a beautiful yellow warming–delicate, tentative–over the horizon. And pink, and orange, and yellow again, and your heart leaps. You’d do it again. You’d do it again. You’d do it again.
2. “You Gotta Sell Something” – Blair Crimmins and the Hookers. Super-enthusiastic, jaunty Dixieland folk with a viciously satirical take on the contemporary music industry and modern life in general. I don’t know how something this sarcastic can be this much fun, but it’s a party and a half over here.
3. “The Lilac Line” – Karla Kane. Has a little bit of Kimya Dawson in the quirky lyrical content, but it’s the bubbly vocal melody in the chorus that really seals the deal. I also can’t resist a well-placed accordion (a la Laura Stevenson).
4. “Collision” – Hayden Calnin. Layered drones are in right now, and saxophones are in right now, and emotive pop melodies never go out of style, and yet when you put all of them together you get something that transcends them all. If you’re a person who (like me) unironically likes Coldplay, you’ll love the vocal tone and melodies here.
5. “Prom” – Monk Parker. Anyone who loved Clem Snide is going to grab this song in a giant hug and not let go it for a long time: Parker’s vocal tone echoes Eef Barzelay’s, and the weirdly indie-fied country Parker is purveying here was what Snide was best at. This song is an indie alt-country cornucopia, really: it’s even got a theremin.
6. “On My Side” – Gordi. Is folk-pop becoming cool again? Because this is definitely a folk-pop song: all yearning melody and stomping rhythms. Love it.
7. “Soulmate” – The Shivers. You can hear Tom Waits and The Antlers in this vaguely funky, soulful (but not over-the-top soulful), piano-led ballad.
8. “Two Hearts (Two Peninsulas)” – Gifts or Creatures. A vintage-y, spartan electric guitar sound meshes with a round keyboard sound to create the basis of this interesting tune. It’s sort of indie-pop (has a lovely male/female harmony thing going on that’s like Jenny & Tyler or Mates of State), and yet seems like folk (despite the absence of acoustic guitars). Thoroughly interesting.
9. “Inches Apart” – Magana. Trembling yet sturdy vocals sucked me in to this fingerpicked acoustic tune. It’s high-drama in the best way, where you feel the ache and want to know what will come next.
10. “Oh, Spaceman” – Micah P. Hinson. Hinson’s baritone pairs neatly with the trebly, soft fingerpicking of this folk tune. The fiddle and accordion add an old-world character to the piece that sets it apart from other tunes of its ilk.
11. “One More Waltz” – Redvers and Mélissa. A delicate, acoustic, love song waltz that tells the story of how the musicians met? Does it get any more romantic?
12. “The Horses Will Not Ride, The Gospel Won’t Be Spoken” – Tom Brosseau. Almost all of this song is a solo a capella piece, with Brosseau’s mellifluous voice holding the listener close the whole time. Not so many singers can do that, but Brosseau knocks it out of the park.