Independent Clauses | n. —unusual words about underappreciated music

Michael's Uncle makes punk rock the old-school way: with attitude

April 23, 2010

Michael’s Uncle and the Ramones would have been good friends. Michael’s Uncle plays primitive, rebellious, shout-it-out punk rock that doesn’t take any prisoners or care what you think about it. The fact that the vocals on Return of Dark Psychedelia that aren’t yelling are difficult to stomach isn’t going to stop Michael’s Uncle from singing them. That’s what they wanted to do, sucker, and who’s gonna stop them? You?

The band is quite tight, which is a surprise. They make a good show of being sloppy and rambunctious (“We Say,” especially), but they tip their hand on “Hellboy,” which relies on several interlocking rhythmic parts. Once I realized what they were capable of, I went back and re-listened to everything, and it becomes obvious fairly quickly that under the disorganized chaos of their vocal performances lies a band that knows itself very well.

Sure, “Mas Na To” is basically a Ramones tune, but “Prej Byznys” calls up a Rage Against the Machine rhythm and mentality with surprising ease.  “Z Kontejneru Smrad” is an entirely enjoyable and convincing so-cal surf-punk tune (not kidding). “Nezmenis Nic” is a Primus-esque battle rock tune. This band has chops to spare, and they show them off to all who are paying close enough attention. This is primarily a punk album, but not in a Green Day way at all.

The only real flub I found in eighteen tracks was the plodding “Moon,” which makes no sense in the context of the album and does nothing helpful to the progression of the album. Every other track has something redeemable about it, and most have lots of redeemable things.

The musicians are talented. The songwriting skills are spot-on. The command of other genres is excellent. This is a punk album worth picking up if you like true punk attitude and old-school punk rock bands. Return of Dark Psychedelia is a surprise-laden release that rewards people who tune in.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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