The first three tracks are strong folk-pop entries, good for people who wanted the Civil Wars to be a little less intense or the Weepies to be a little less sad or Jenny and Tyler to be more like the Low Anthem. (Come to think of it, naming your band The Civil Wars should have been a sign from the beginning that it wasn’t going to end well. But I digress.)
After “Scars for Scars” sets the tone for the record as a meaningful folk-pop work, the fantastic title track appears, all soaring distant trumpets, train-track percussion, and vulnerable male vocals. It’s very moody (love it) until the midway point, when the female vocals come in with an enthusiastic fiddle. The next chorus is an excellent duet. The lyrics are a love song about how a good weld is stronger than either of the pieces of the metal it joins—perfect folk-pop fare. “Rob and Julianna” (by Luke and Emily) is another love song, this time in story-song fashion and featuring an accordion and piano. It’s similarly emotional (still love it).
But then things take a big shift in “When You Look at Me” that shows Luke and Emily aren’t a one-trick pony. Their next love song (sense the theme here) is a dixieland jazz romp, complete with vintage-styled horns and banjo. They follow up “When You Look at Me” with instrumental dixieland jazz piece “You Make Me Want to Praise”, because if you’ve already got the musicians there, why not?
“Abel” introduces religious imagery that was hinted at in “You Make Me Want to Praise,” while also bringing in more trumpets, gentle folk-stomp percussion, lovely strings, and Luke’s compelling vocal performances. “Back to Love” is a strong tune of domestic life capped with a great vocal melody. “Thank My God” is a tune that fans of Jenny and Tyler will love lyrically and melodically.
Good Weld is a strong folk-pop record that has a lot to offer: it’s fun, it’s well-arranged, and it’s interesting in its choices. It’s just flat-out compelling.