Independent Clauses | n. —unusual words about underappreciated music

Loyal Wife throws down passionate riffs and pensive emotions

April 5, 2012

One of my favorite albums is Before Braille‘s 2004 EP Cattle Punching on a Jackrabbit, which features masterful rock tunes like “New Vein/Proventil” and “Well as Well.” It was one of the first albums I covered for Independent Clauses that I truly loved, with the other being Novi Split’s Keep Moving. I still listen to both frequently.

Before Braille met its demise in 2006, but frontman David Jensen moved on to other projects. I missed two albums under the name Art for Starters, but I’m back on board for his project Loyal Wife. Faux Light is the debut album for that project, and it doesn’t disappoint. The main elements of Before Braille’s sound are present, as well as growth.

Before Braille was an emo/rock band comparable to a thinking man’s Jimmy Eat World. The guitars were riff-heavy, and Jensen howled with a righteous fury against the ills and travails of the world. But lyrical, rhythmic and textural complexity set them apart from the pack. And so it is with Loyal Wife; there are riffing guitars, and there are some howling vocals—but there’s a lot more going on than just that.

A lot happens to mellow a man in eight years, and so tunes such as “Hold Up,” “GodSlight,” and “In Trouble” show a pensive side to Jensen that wasn’t on display in the frenzied Cattle Punching. “Hold Up” is one of the high points of the record, a stark acoustic tune that nails that rare space where honesty and tunefulness mix. It’s raw, but it’s not weepy or overdramatic; there’s a dignity that remains as Jensen sings “If I hold up,” and that’s powerful.

“GodSlight” includes bells into the acoustic mix, resulting in a nice mix between indie sensibility and plaintive emotion. “In Trouble” is the best moment for Ashley Taylor, the female vocalist who provides another critical difference from Before Braille and Loyal Wife. Her vocals mesh perfectly with the arrangement, a sparse rock tune that relies on the space between instruments and interactions between the male and female vocals. Jensen and Taylor harmonize excellently together, and “In Trouble” is the overall highlight of the record due to its spotlighting of the duo.

The rock tunes here are solid as well. The doggedly rhythmic closer “Light Off” recalling the most brittle, brutal moments of Before Braille in the best way, while “Ivory” sets Taylor as the frontwoman against a pounding rock track (Jensen handles the vocals in the great breakdown riff). It’s passionate rock with a dark timbre but not a dark tone; it’s a rare middle-ground that Loyal Wife strikes, and I like that a great deal.

Loyal Wife’s Faux Light is an album of slowly-unfolding charms. After the immediate hit of “Hold Up” and “In Trouble,” the rest of the tunes here grew on me. It’s a definite progression, and one worth checking out. If you want passion in your rock and quiet tunes, Loyal Wife should be on your radar.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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