Independent Clauses | n. —unusual words about underappreciated music

Long live the post-rock of Final Days Society

June 11, 2011

I’ve been getting heavily into post-rock recently, as Of the Vine, Colin Stetson, Industries of the Blind and Isis have all been in my rotation. Final Days Society is the latest post-rock group to be added to their number, and I may be most obsessed with it.

Y’see, I’m a sucker for crescendo. If you can take a tiny, clean guitar line and turn it into a raging maelstrom in about seven minutes, I’ll love it. This means that Final Days Society has tailor-made several songs for me on their album “Ours Is Not a Caravan of Despair.”

“Aeons” takes only twenty seconds to transfrom an arpeggiated, clean guitar riff into a raging wall of sound, but they spend the next 9+ minutes fleshing that idea out. And by wall of sound, I do mean wall: the Swedes (of course!) in Final Days Society have found the right combination of pedals to produce a humongous overdrive which, when strummed at high velocity, sounds like it’s about to crush the world/transport you to the next one. In fact, “Beauty” is all about showing off this pedal combo, as they just hammer the listener with it for approximately five minutes. It’s a revelation. I felt like I was going to lift off the ground the first time I heard it.

But this band isn’t all about destroying eardrums, as “60” and “To Calm Sea” revel in the moods created without going all aggro, as one of my friends would say. The sparingly-used vocals are employed to great effect on both tracks, using them as instruments. “60” heavily modifies the voice in a completely fitting way, while the vulnerability of “To Calm Sea” enhances the mood of the song.

The 7 songs on “Ours Is Not a Caravan of Despair” clock in at just shy of 56 minutes, meaning each averages 8 minutes in length. This is not a band that shys away from lengthy pieces. And that’s to the listener’s benefit, because any way that you get more Final Days Society is a win.

This band is poised for big things if they can keep it together. They’ve got the sound, the songs and the chops to make it in post-rock. Long live Final Days Society.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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