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Lindby-Lindby 8.0

Lindby – Lindby 8.0


Fun, upbeat piano pop that has room to grow on the serious side.

One of the things that makes Weezer fantastic in my mind is the ability to cover fun and serious material with equal ease. The Blue Album is a masterpiece of goofy, nerdy passions – one that has been celebrated in garages by outsider high school students since its creation. Its follow-up, Pinkerton, is a dark and brooding masterpiece of angst, celebrated just as passionately but by less people. It’s just not the same Weezer from The Blue Album, say some. And they’re right: it’s not. But the ability to be both things effectively is what endears me to the band.

Lindby is a goofy piano-pop band. They excel at creating jubilant, giddy pieces of upbeat piano tomfoolery. Their serious stuff meets a little bit of a roadblock; they can’t transfer the saccharine honesty over to serious honesty.

Lindby’s formula is not complicated. They start with a simple piano line, whether it be chords or just a melody. Then they throw a drumbeat at it, then some accompanying guitar and bass. The piano, however simple, forms the basis of the songs. This isn’t true in every case, but it is the modus operandi most often employed. This is most easily shown in “Across the Blue,” which has a whimsical brass section opening the song along with piano. It bounces, quirks and floats its way on down the road. It’s completely enjoyable.

Part of their goofy character lies in the fact that their upbeat works are very bouncy. This is partly attributed to the fact that the band likes the up/down feel to their songs; another part of it is that their transitions are not very smooth. The band is good at its individual parts, but they don’t lock in together very well. There’s a lot of space in Lindby’s sound, and it’s hard to tell if it’s intentional or due to a cap on the capabilities of the band.

All of these thoughts come to their head in their best song, “Music Box.” The intro is a musicbox, then a piano. It’s a more serious song, but it’s hard to get the impression that it’s a serious song – the piano line is very upbeat. The drums and the vocal line inform us that it’s more serious, but it’s still a difficult sell. The timbre of the vocals doesn’t help either – used to being fast and hectic, they sound out of place trying to fit into a calmer setting. It just doesn’t fit with the ear until the chorus, when the song falls into place. The chorus is a fantastic chorus, and I can see that with some tweaks and a lot more practice, this song could be an enormous radio hit. It has some stellar hooks and the x factor that bands try so hard for in choruses.

Lindby is not a bad band. They have an expertise in goofy tunes, and they’re trying to branch out into more serious work. They just need to work on smoothing out the rough edges of their bouncy pop into smoother calm songs.

–         Stephen Carradini