1. “Mine/Yours” – Long Neck. The rattling fingerpicking, the female speak/sing delivery, and the rumbling enthusiasm of the guitar rock make this one of the coolest songs I’ve heard in a long time. I keep thinking of The Hold Steady but maybe that’s just me? 100% rad, regardless.
2. “all these worlds are yours” – HOLY. If you forgive the 10-car pileup of guitar distortion and drums that takes up the first 25 seconds of this tune, the the next 8.5 minutes are an indie-pop wonderland. There’s perky piano, sighing vocals, found sounds, layers on layers on layers, big drums, everything becoming ascendant, and then some more layers. It lives up to its runtime and will remind you of Spiritualized.
3. “You Are An Ocean” – Beams. Staccato drums accent the lead banjo line in a satisfying way. The rest of the song floats along as an indie-pop tune would, just with banjo. It’s a lot of fun.
4. “We Make Do” – Martha Ffion. “With an overwhelming sense of / making do” caps off the lovely chorus of this low piano-pop tune. It’s got bits of Regina Spektor and Lisa Hannigan in the stew, but it has an air of confidence that’s all Ffion’s.
5. “I Can Run Now From the Hellhounds But I Can’t Hide” – Walter Martin. PETER, BJORN AND JOHN? IS THAT YOU? ARE YOU KICKING IT WITH VAMPIRE WEEKEND NOW? OR MAYBE SOME DISCO DUDES?
6. “Forget Me” – Born Ruffians. Cheery, chipper, emotive indie-pop with gleefully yelpy vocals and effervescent handclaps. Fans of the vintage-y ideas of Stornoway or Bishop Allen will love this.
7. “Relay Runner” – Loma. The insistent beat of this indie-pop track anchors a song that wavers from major to minor key repeatedly. That beat has the sort of groove reserved for deep electronica tracks, but the band tempers that flow with mysterious, ethereal sounds, glitchy bits, and odd vibes. It’s a weird, intriguing track, like some sort of chopped-and-screwed Wye Oak jam.