Independent Clauses | n. —unusual words about underappreciated music

Junebug Spade is everything to everyone (and that's great)

December 5, 2011

Most ’90s radio rock was just really loud and distorted pop songs. Somebody probably would have noticed eventually that Boston’s “More than a Feeling” and Nirvana’s “Smells Like Teen Spirit” were pretty similar, but Nirvana self-disclosed this by at least once singing Boston’s words and melody over their song.

And while some a lot of ’90s bands took rock way too seriously, some simply wrote great songs; the ones that figured out rock was pretty much loud pop were among the best at this (Blur, Oasis, Nirvana, sometimes Bush) and the absolute worst (Candlebox, Creed, sometimes Bush). Live, on the other hand, took rock very seriously, and they made awesome music too. This isn’t an exclusivity clause.

Still, really loud pop songs make Junebug Spade‘s Extra Virgin Olive Oil my favorite straight-up rock’n’roll release of the year. It takes a lot to get me psyched about ’90s-inspired rock, but a good starting point is a killer melody, and JS has those in spades. Both the guitars and the vocals layer on the catchy, and the results are dynamite. When both of those elements come together on “Slow Your Roll,” it’s clear that Junebug Spade understands this: guys wanna rock, girls wanna shimmy, and everyone wants to sing along, either at the show or in their car. They provide the goods for all of that. This band makes everyone happy. That, my friends, is admirable.

The basic elements of this band are nothing new: a songwriter/guitarist/vocalist, guitarist, bassist and drummer. Bassist Kyle Mayfield is high in the mix, which is a standard ’90s move that provides a nice counterpoint to the melodies. The drummer wails away. The guitars go after it in the aforementioned awesome way. Vocalist Peter Seay caps off the sound with a slacker-tastic vocal delivery that makes it sound like he’s totally not even working that hard to deliver these songs. It’s not the sterilized/rote vocal performances that sometimes took over radio rock; there’s a non-southern drawl to his vocal, and it fits perfectly over the tunes.

All five tunes are money, but “Public Display of Affection” takes a perky, Strokes-ian riff and totally morphs it with a mega chorus. “Slow Your Roll” employs an awesome tempo change and a wicked slide guitar riff (!) to close out the EP. “Aborigine” has Blur all over the guitar line, and I love it, because Seay’s voice is nothing like Albarn’s, so it sounds like an homage and not a rip-off.

Extra Virgin Olive Oil is entertaining all the way through. For a guy who doesn’t cover hardly any straight-up rock anymore, this is a pretty dramatic statement. Fans of rock shouldn’t sleep on Junebug Spade.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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