1. “Muanapoto” – Tshegue. Dense, groove-heavy African rhythms power this unclassifiable tune, which falls somewhere between LCD Soundsystem electro, Afropunk, and The Very Best. May I repeat: those grooves. You’ll get moving on this one.
2. “Like the Night” – Moonbeau. This electro-pop jam played for roughly three seconds before I thought, “Oh yes. Ohhhhhhh yeahhhhhhhhhhhh.” The airy arpeggiator lead hook is awesome, the verses are perfectly done to build tension, and the chorus brings that hook back in excellently. The vocals nail it, too. If you love JR JR, Hot Chip, and the like, you’ll be absolutely all over this track.
3. “Happy Unhappy” – The Beths. The Beths are jumping in with Alex Lahey and Marsicans as purveyors of incredible, indelible guitar-pop in big batches. This second single I’ve heard from then is just everything I’m looking for in power-pop: thick guitars that yet don’t cover up the vocals, blast-off drums, big low end, and giddy enthusiasm. The fact that the giddy enthusiasm (check the “oh-ah” section) is deployed in a lyrical set complaining about being happy (ha!) is just rollicking fun.
4. “Forever” – The Gray Havens. TGH has moved from piano pop through expansive folk-pop to full-on indie-pop in this latest track. This jubilant track grows from a peaceful opening to include enthusiastic horns, a soaring vocal line, and punchy percussion. Fans of Graceland will hear some resonances there. It’s a blast.
5. “When I Look Back” – Lev Snowe. This track has some psych guitar touches toward the end, but for the majority of the piece it’s a hazy, dreamy, friendly indie-pop effort. Snowe’s fusion of fuzzed out bass (or guitar masquerading as bass), glittery synths, and even-keeled vocals creates a fun but not unserious atmosphere.
6. “I’m the Wolves” – St. Jude the Obscure. Turns a Band of Horses-esque dusky rumination into a full-on dance party–it’s sort of like when The Arcade Fire busts out “Sprawl II” in the middle of The Suburbs. It’s thoughtful, but also got a lot of kinetic energy going on.
7. “Setting In” – Ditches. Starts off with layers of squalling feedback, but quickly abandons this intro for a loping, scuffling, laidback indie-pop song. Fans of formal songwriting, Cut Worms, Grandaddy, The Shins, and more will love this delicate, melancholy, lovely tune.
8. “Ask Me Now” – Wes Allen. I love melodic percussion–xylophones, marimbas, and vibraphones create such a warm, enveloping mood for songs. Allen includes some melodic percussion in his reflective, somber pop song that calls up elements of Jackson Browne, Paul Simon, and other peaceful singer-songwriters of the era. It’s a rumination on a breakup, like so many others, but Allen’s well-turned vocal performance sells it.
9. “Our Conversation on July 7th” – God Bless Relative. World-weary folk-pop that yet retains a sweetness in the arrangement. The electronic drums give this a unique vibe before opening up into a full-band jam (including some of the best handclaps ever used in the service of sadness). One of those tunes that feels like it’s always been around and you’re just hearing it again–it’s that mature and well-developed.
10. “Tiananmen Square” – Cameron Blake. The ever-excellent Cameron Blake’s video for his moving tune “Tiananmen Square” is powerful. The clip shows a lot of historical footage of China ostensibly surrounding the 1989 student protests held in the titular location. The most intriguing part of the video is that, while I’ve seen the iconic tank man picture, I’d never seen video of the ensuing moments: tank man keeps moving in front of the tank, then climbs up on the tank (!!) and attempts to talk to people inside the the tank (!!!) before getting down off the tank and resuming his protest. It adds even more gravitas to an already incredible moment. Blake’s huge crescendoes only help with this feeling.