Independent Clauses | n. —unusual words about underappreciated music

Jenny and Tyler Fight the Darkness

January 8, 2018

I mentioned recently that lo-fi records often have the benefit of being “all of a piece”; the tendency for lo-fi artists to write, record, and release in rapid succession lets listeners get a sense of how artists feel at a given point in time. This look-in isn’t only reserved for lo-fi artists; Jenny & Tyler have been putting out songs almost weekly for about six months, courtesy of a studio they own.

Their newest album is the latest batch of work from that burst of disciplined, hard-working creativity. Jenny and Tyler recently mentioned on their Patreon that they aren’t very good at naming things, which is why their latest album is called Album Two [Patreon]

I have a humble suggestion for a name: Jenny and Tyler Fight the Darkness. Every song on this record is about fighting through hard times–eight out of ten songs mention the words “dark” or “night”. The other two are powerful opener “Who I’m Not,” which is about struggling to feel like a real person while constantly on the road, and closer “Rejoice,” which is about trusting and rejoicing in God to get through hard times. This album is for those struggling personally (“The Sun Will Rise”), relationally (“I’m Sorry”), spiritually (“Now When the Dusky Shades of Night”) and/or existentially (“In These Bones”).

These struggles are real, pitched on massive and intimate scales. On one end, there’s the cosmic sweep of God fighting evil in this mortal plane amid the lives of his people (“The Sun Will Rise,” “In These Bones”); on the intimate side, there are liner notes showing the tiny details of life (“Written on 7/11/2017 during naptime after doctor’s appointment” and “Started writing on 9/29/2017 in guest bedroom while feeding Mary at 6a”) that are no less a struggle at times. The lullabies and assurances written for their children (“Baby I Got You,” “We Will Be Here For You”) also show off the intimacy of these tunes.

The tension between epic scope and intimate detail continues on into the music. “In These Bones” is one of the best, most mature expressions of their indie-folk/indie-rock fusion they’ve yet produced. It starts off all ominous vibes and fingerpicking before building from that small kernel to a huge “whoa-oh-oh” section accompanied by thrashing cymbals, thrumming bass, and distant distorted guitar. It’ll get your blood pumping.

It’s followed up by “Now When the Dusky Shades of Night,” an old hymn sung in duet style against gently fuzzed-out electric guitar fingerpicking. It’s the sort of recording that makes it feel like Jenny and Tyler are in the room with the listener. These two extremes show that J&T have honed and are honing their sound to become consistent and recognizable across many different arrangements and settings.

Other highlights include the straight-up folk-pop of “When I Hold Your Hand I’m Home” and the sun-dappled, Jack Johnson-y, lightly funky groove of “Baby I Got You.” Both are throwbacks to their very earliest albums–it’s a great thing to hear that sound not be completely be abandoned. “Rejoice” is a solo tune from Jenny that shines in its melody as well being a fitting end to the album. Fans of Sandra McCracken will enjoy this one in particular.

This latest Patreon album is available if you become patrons of Jenny & Tyler’s. They will be re-recording tracks from Album One, Album Two, and the upcoming Album Three to develop into a full-length, public release record, so you’ll hear some of these tracks in the future even if you don’t join the Patreon. However you hear these tracks, you should get excited about them if you’re into indie folk or indie rock. Jenny and Tyler are producing high-level work at an astonishing clip, and listeners are the winners.

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Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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