Independent Clauses | n. —unusual words about underappreciated music

JD Eicher and the Goodnights

September 25, 2013

jd-eicher

I love a good pop song. I know it makes me uncool that I’m a big fan of Train’s “Hey Soul Sister,” BUT WHATEVER Y’ALL. UKULELE POWER. JD Eicher and the Goodnights know the value of pop songs. Eicher and his crew fit squarely in the adult alternative pop genre (which I shorthand as the Matt Nathanson/John Mayer sound). And they’re awesome at it on Into Place. Tunes like “You’ve Got a Lot of Growing Up To Do” and “I’d Like To Get To Know You” are perky, poppy tunes with excellent melodies, memorable lyrics, and fun choruses that you can’t help but sing along with. It’s perfect summer music.

There are some heavier moments: “People” pulls the heartstrings in a Goo Goo Dolls sort of way, “Oh My God” is a pensive piano rumination, and “Edgar Greene’s Time Machines” tells a long story to make a point about the way history and us intersect. The best tune on the album, though, combines the excellent pop songwriting chops with the heavier musings. “Aaron” brings in some banjo and clapping, moving the melodic center a little more toward Mumford/Lumineers territory. The tune is basically an audio version of Nick Hornsby’s High Fidelity: it looks at our relationship to sad songs through the lens of one musician. “I don’t like sad songs, they just seem to write me,” the narrator shrugs before blasting off into a monster that should be all over radio right now. It’s far and away the best display of songwriting on the album, and I’ve had “Aaron” on repeat for several weeks. It’s just excellent.

If you’re into a good pop song, Into Place by JD Eicher and the Goodnights should be on your iPod. That’s all there is to it.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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