Independent Clauses | n. —unusual words about underappreciated music

I'm a Pony, You're a Pony

June 26, 2009

The Lava Children’s self-titled mini-LP was released a couple of weeks ago. It isn’t terribly long, hence the “mini-” designation, but the five tracks they offer are a good collection of their efforts thus far. The PR blurb I received said something about their music being like nothing I’d ever heard before. I was immediately skeptical – most bands, or at least the agents that represent them, like to think that their band is unique and unlike anything else ever produced.

While this isn’t entirely true with The Lava Children, their sound is probably the closest I’ve heard to matching that claim in a while. It’s soft, ethereal trip-rock, with female lead vocals that range from barely comprehensible to entirely indecipherable, and simple but catchy instrumentals. I kept trying to think of bands that they sounded like, and then realizing what I’d come up with was nothing like their sound. Pixies? Nope, and I’m not sure why I even thought that. Joy Division, Eisley, Sixpence? No, no, and no, though The Lava Children have a little in common with each of them. I’m going to try to capture what their sound really is, so read on, sir/ma’am.

“I Am A Pony” kicks off the mini-LP with a bit more energy than the rest of the tracks. Guitar and bass bits are strong, contrasting nicely with the vocals. They (the vocals) really aren’t lyrical. You can occasionally hear words, but it’s more just tonal singing. Oh, and it’s trippy stuff, if you didn’t catch that, all echo-y and seemingly nonsensical. There’s a cool, if not strange beat throughout. It feels like one of the songs that belongs in a “caper” movie (Ocean’s Eleven, etc).

The album slows with “Particles.” It’s a load of crazy moaning, both from the guitar and from the vocalist. Everything is slow and exaggerated. It reminds me a bit of the later Beatles’ acid stuff. There are tons of effects on this song, which pair with the slower tempo to create a meandering, dreamy effect. There’s something of a dark undercurrent as well. “Troll” is similar, with a long, trippy instrumental intro. It features some interesting changes in tempo when moving between in and out of the chorus, mixing the slightly-more energetic with the dreamy. Most of the vocals sound as though the singer was on the other side of the room from the mic – far away, and a good fit for the overall tone.

“Firefly” includes male vocals in the background that aren’t featured elsewhere. It’s a good sound – dare I say better than with the lead vocalist by herself? I like the effect, anyway. It’s got the same overall sound as “Particles,” though the chorus is clear and has better movement to it. The album is finished with “The Green Word,” a song with great guitar bits and somewhat more understandable lyrics than earlier.

I would prefer to hear more along the lines of “Firefly” or “I Am A Pony” and less “Particles” in The Lava Children’s future releases. Trippy music is all well and good, but it should retain energy and purpose – frankly, trippy for trippy’s sake gets boring. This is otherwise a solid album, with strong continuity between songs. Listening to The Lava Children mini-LP in its entirety makes for a much better experience than giving the songs a listen one at a time. Give it a go if you want to experience something quite different from your usual fare. Trust me, whatever that is, The Lava Children are different.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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