Independent Clauses | n. —unusual words about underappreciated music

I Can Hear Myself Levitate delivers a memorable, creative, genre-mashing EP

May 25, 2010

There are residual benefits to not listening to the radio. I don’t get overexposed to songs, so I never tire of good tunes (I still love “I’m Yours” by Jazon Mraz months after people can’t take it anymore; ditto for “Hey Soul Sister” and “Beautiful” by Akon). I also never get burned out on genres. If you’re making good pop-punk, I’m still able to rock out to it; I haven’t been burned out by its overexposure on radio.

Which is probably why I’m so enamored with I Can Hear Myself Levitate’s EP What is Left. ICHML has a sound that incorporates AFI’s darkly theatrical musical bent, Coheed and Cambria’s prog leanings, the high-pitched vocal preenings of Fall Out Boy and a low-slung form of guitar-centric rock’n’roll. They even dabble in some post-hardcore at points during the album. If heard with an uninterested ear, it wouldn’t sound much different than anything else on radio. The ear would hear the chunky guitars in the choruses and dismiss everything else that’s happening. And that’s sad, because ICHML have a lot more to offer than simple Boys Like Girls/Angels and Airwaves songs.

Take “Body Heat,” for example. The song sets up a distinct mood from the get-go, setting up the fast-paced drums against a moody, wiry guitar line. They pump it up for the chorus, but they never let the mood of the song change from an insistent, dark, patient piece. Mega props to the guitarist for not letting the song change mood. Its unique feel even amongst the tunes here gives it “standout track” moniker. “The Artifacts” plays with similar moods, but it doesn’t do it as effectively, as the song relies on the vocals instead of the guitars to create the mood. The vocals are great, but the evocative and pensive type of vocalist is not the type of vocalist they possess. Thankfully, they catch this by the end of the song and feature some tight guitar work in the back half of the tune.

“Eskimo Kiss” features jagged, intricate, organized rhythms against a smooth vocal line; the juxtaposition is immediately memorable. The vocal antics are especially memorable here as well; you can almost see the vocalist leaning out into the crowd and gesturing wildly. It’s another excellent song.

What is Left is a great EP. I Can Hear Myself Levitate presents a good snapshot of who they are and what they can do. The only thing I can particularly complain about is that the vocal style is very much a love it or hate it proposition. From beginning to end, they show instrumental chops, songwriting skill, creative energy and passion. What else could you want out of a rock band? Not much. If I Can Hear Myself Levitate gets to the right ears, we could have a serious contender on our hands. Watch for them.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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