Independent Clauses | n. —unusual words about underappreciated music

Horizon: Canyons of Static

January 15, 2012

Canyons of Static‘s post-rock is the type that builds from a single element to jubilant roar and thrash, like the best moments of Sigur Ros. The big moment is often a pedal stomp that overdrives the guitar into the stratosphere. I wish I knew the name of it, as it’s an iconic sound: Final Days Society and others use it to great effect.

The “heavens just opened up” pedal is a powerful songwriting move, especially when paired with wailing drums and thumping bass. The beautiful “Wake,” which juxtaposes a monster wall of sound against delicate keys, is the perfect example of their oeuvre. If their show is anything like the towering epics of Farewell Shadows, CoS is absolutely overwhelming live.

The five tunes create an energetic, passionate atmosphere for almost all 34 minutes. This is a double-edged sword; while the release is consistent, it doesn’t show the variety of CoS’s songwriting ability. In future releases, I hope to see them diversify their songwriting moods and structures.

Canyons of Static’s well-established sound is foregrounded in Farewell Shadows. The band has chemistry, instrumental chops and experience (first release: 2006); now they need to grow in diversity. If you’re into Sigur Ros, Moonlit Sailor, Unwed Sailor or Dorena, you’ll be a big fan of Canyons of Static.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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