Independent Clauses | n. —unusual words about underappreciated music

Ghost Heart's American tribal melodies melt brains

February 28, 2011

I have never heard anything like Ghost Heart. For starters, there are no snare drums on their album The Tunnel. There are shakers, cymbals, three million tom hits, bass drum and more, but not a single snare. Most of the vocals are modeled after soaring tribal chant style, but with a distinctly Western melodic bent. The guitars range from indie-rock to mathy patterns. The bass guitar is about the only normal thing in this whole album.

It sounds glorious. It’s really confusing and convention-busting, but it’s a good confusing. The tunes are very long, too; the eight songs here run forty minutes, with one outlier at 1:29. Surprisingly, their unique uncategorizable genre encompasses several different moods; “Salty Sea” is indeed a sea shanty, while “No Canticle” is something Sufjan could write if he spent a week or two in South Africa (Sufjan’s Graceland would be a thing to behold). “Whoever You Are” is an odd, Pontiak-esque mellow rumination. After forty seconds of weirdness, “Black Air” turns into an incredibly surprising indie-rock tune featuring the aforementioned mathy guitar work.

Again, The Tunnel is unlike anything I’ve ever heard. Also, The Tunnel is brilliant. It’s bands like these that test reviewers’ moxie: can this incredibly original sound be translated to text well enough to convince unsuspecting listeners to check it out? I don’t know if I have succeeded. But here’s a list of RIYL bands: Funeral-era Arcade Fire, Sigur Ros, Fleet Foxes, American Football, Coldplay (any album except Parachutes), American Football, Journey, yodeling. No, for real.

Really.

Get this album.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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