Independent Clauses | n. —unusual words about underappreciated music

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November 2, 2014

1. “Cassius” – The Maytags. You want some fun, dance-around your kitchen vibes? The Maytags have perky horns, upbeat rhythm section, group vocals, and a totally infectious mood. My fiance likes it, and she likes good music. Jump on it, people.

2. “In a Desert of Plenty” – Sunmonks. Motown horns, distant vocals, funky vibes, and engimatic/intriguing rhythmic elements make this track a keeper.

3. “The Snowfalls” – Whyte Horses. Gentle psychedelia meets ’70s folk with some ’50s girl pop vibes in the vocals: it’s a really inviting overall effect.

4. “Center of the Universe” – Chris Staples. Remember that hyper-personal acoustic indie-pop movement from the early to mis ’00s? Some called it quiet is the new loud, but I called it deeply engaging, personal work with a priority on intimate recording styles. This Built to Spill cover nails all the right notes.

5. “i don’t need an advocate, i need an exorcist” – moyamoya. If Appleseed Cast’s wide-open, cinematographic motion from Mare Vitalis made into to the minor keys of Peregrine, we’d have this track. Tons of great guitar work throughout, beautiful production job.

6. “A Sunday Afternoon Epilepsy” – More than Skies. MTS continues their very intriguing campaign to mix lush, autumnal folk landscapes with angular, punk-inspired guitars and creaky vocals. I’m a fan.

7. “Ghostlight” – Alex Tiuniaev. Here’s a cinematic, pensive, romantic instrumental piece led by piano and strings.

8. “Opus No. 21” – The Greatest Hoax. Ambient classical? Dreamy no-guitars post-rock? Wistful dreamweave pop? Whatever this is, it’s pretty, moving, and sets a scene well.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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