Independent Clauses | n. —unusual words about underappreciated music

Filbert's humble, inventive tunes shine

May 24, 2013

chronographic

One of the most arresting pitches I’ve heard in a long while was from the songwriter of Filbert, who announced in his e-mail that “My only hope is to run out of free downloads on our Bandcamp!” Well, Daniel Gutierrez, I hope that I can help you meet that goal. Chronographic is a high-quality album that deserves all that and more.

I introduced Filbert to a group of my friends under the tag “Modest Mouse + Jeffrey Lewis + backpack rap + Bon Iver = Filbert,” and I’m standing by that assessment for this review. The core of Filbert’s sound is a dreary acoustic strum not all that different than Bon Iver’s cabin output, but the sound takes a hard left with what’s layered on top of it. Gutierrez has a humble, mumbly voice very similar to the vastly underrated Jeffrey Lewis, but he uses it to announce earnest musings on the often-ignored, normal bits of life (a la backpack rap) instead of Lewis’ surreal scenes. The final identifier (Modest Mouse) comes along in the arrangements, which skew toward the meandering and wandering–similar to the quieter moments of Good News for People Who Love Bad News.

It’s an absolutely glorious, riveting amalgam. Gutierrez and co. hold attention not through electrifying riffs or overtly clever turns of phrase, but through intricate, intimate tunes. Gutierrez includes several long clips of children talking to him and playing music as intros and outros, which give the whole album a distinctly “bedroom project of thoughtful, loving dad in his spare time” air. With folk’s recent self-importance in the era of Mumford and Sons saying big and important things to big and important audiences, it’s quite refreshing to hear an album that’s not targeted at the masses, but the Mrs. This one isn’t a world-conquering statement or important announcement, which paradoxically makes it both of those things. It’s not like slacker chic, where we’re celebrating largely unceremonious things; instead, it’s those guys who kept doing what they loved finally getting their due.

Songs like “Headphones” and “Breath” show that there are indeed some musical chops at play beyond the humble lyrics. The former builds to a desperate, striking conclusion via a slow but persistent crescendo; the latter creates a tune off a memorable guitar line and a surprisingly complex percussive section (complete with essential tambourine). “Breath” ties that commendable arrangement to a perfectly matched lyric set about weariness: “My legs won’t let me get out of the shower / … I just want to let the water hit me for a little while longer.” Yo, if we haven’t all been there, right?

There’s only seven songs in the unassuming Chronographic, and those small aims are part of the charm. It’s a mesmerizing, enveloping release that draws its power from the fact that it’s not trying to be a rock star move. This is not an indictment of the band’s effort: the arrangements are great (check the inventive “Race Cars and Chocolate”), performances are spot-on, and the production quality is immaculate. It’s just that the unpretentious, non-ironic vibe of the tracks really shines. Here’s to all those who do their thing without fuss or concern for what others think. Here’s to celebrating that. Here’s to Chronographic, which is definitely on my short list for end of year lists.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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