Independent Clauses | n. —unusual words about underappreciated music

FFHH tries to break from the pop-punk mold

November 19, 2009

I grew up listening to pop-punk, so I have a fondness for it that goes far beyond the marginal toleration most reviewers give it. I also grew up listening to local bands from faraway places like Baltimore. So, FFHH (which is now going by the abbreviation of their former title Faster Faster Harder Harder) has several legs up on the competition with their Baltimore-based pop-punk.

FFHH is much more AFI than Blink-182, though. The lead vocalist occasionally strikes an almost uncanny resemblance to Davey Havok, especially in “Calm Down,” “My Vision” and title track “All the Lights.” When he drops into his lower register, it’s not as apparent, as in “The Landing.” When his vocals don’t ding the RIYL meter in my head, the musical resemblances to A Fire Inside fall away as well; but the music is not strong enough to withstand the vocal tone similar to Davey Havok’s to stand out while that vocal tone is happening.

That’s one of the strengths and weaknesses of this album; it’s easily taggable within the dark punk zone. There are conscious steps outside it, as “Start Again” is a lumbering, epic-sweeping intro track that features female vocals prominently. “Accident Scene” features a different vocalist, an upbeat tone, and more female vocals. “Count Down” is a five-minute instrumental track that never gets boring. It fits perfectly in the flow and feel of the album. And it segues right into “The Landing,” which is one of the best tracks on the album. If they can put together more songs like this, they’ll be very successful. The melodies are solid, the bass work is tight, the drums are efficient, and the guitar work is mood-building and rocking in turns. This is how they should be composing all the time.

FFHH has a lot of promise. They are skilled musicians, and their ability to form melodies is undeniable. They have the skills necessary to be a great rock band, but they need to get over some blocks in their way. Several tracks on All the Lights are excellent, but they’re held down by a bunch of songs that are just okay. I would recommend that you go see a live show of theirs (because this stuff would have to translate excellently) and download “Count Down” and  “The Landing” from iTunes. If you like AFI, you should definitely invest in the full thing; you’ll love this. I’m interested to see where FFHH goes from here.

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Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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